Molly Tissavary

11 Titles

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12 Strong | ShotOnWhat?

Assistant Makeup Artist: Additional Photography

12 Strong (2018)

Directed by: Nicolai Fuglsig

Cinematography by: Rasmus Videbæk

Edited by: Lisa Lassek

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera, Red Epic Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Molly's Game | ShotOnWhat?

Additional Makeup Artist: Los Angeles

Molly's Game (2017)

Directed by: Aaron Sorkin

Cinematography by: Charlotte Bruus Christensen

Edited by: Alan Baumgarten, Elliot Graham, Josh Schaeffer

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Suburbicon | ShotOnWhat?

Makeup Artist: Additional

Suburbicon (2017)

Directed by: George Clooney

Cinematography by: Robert Elswit

Edited by: Stephen Mirrione

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Baywatch | ShotOnWhat?

Key Makeup Artist: Additional Photography

Baywatch (2017)

Directed by: Seth Gordon

Cinematography by: Eric Steelberg

Edited by: Peter S. Elliot

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Ghostbusters | ShotOnWhat?

Key Makeup Artist: Additional Photography

Ghostbusters (2016)

Directed by: Paul Feig

Cinematography by: Robert D. Yeoman

Edited by: Melissa Bretherton, Brent White

Cameras: ARRI ALEXA XT Camera

Lenses: Fujinon Premier ZK Cabrio PL Compact Lenses, Zeiss Master Prime Lenses

Why Him? | ShotOnWhat?

Makeup Artist

Why Him? (2016)

Directed by: John Hamburg

Cinematography by: Kris Kachikis

Edited by: William Kerr

The Hateful Eight | ShotOnWhat?

Makeup Artist

The Hateful Eight (2015)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Fred Raskin

Cameras: ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens

Editing System: Avid Editing System

The Purge: Anarchy | ShotOnWhat?

Makeup Artist: Second Unit

The Purge: Anarchy (2014)

Directed by: James DeMonaco

Cinematography by: Jacques Jouffret

Edited by: Vince Filippone, Todd E. Miller

Cameras: ARRI ALEXA XT Camera

Editing System: Avid Editing System

Demon Slayer | ShotOnWhat?

Assistant Makeup Artist / Key Makeup Artist

Demon Slayer (2004)

Direct to Video

Directed by: James Cotten

Cinematography by: Brandon Trost

Edited by: John M. Valerio

Cameras: Sony HDW-F900 Camera

Chooch | ShotOnWhat?

Assistant Makeup Artist

Chooch (2003)

Directed by: J.C. Bari, Rajeev Nirmalakhandan

Cinematography by: Jesse Ramirez

Edited by: Delphine DeSt. Paër, Maya Stark

Dark Wolf | ShotOnWhat?

Special Makeup Effects Artist

DarkWolf (2003)

Direct to Video

Directed by: Richard Friedman

Cinematography by: Stuart Asbjornsen

Edited by: Julie Antepli

Cameras: Panavision Cameras

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