Visual Effects Supervisor
The Revenant (2015)
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Edited by: Stephen Mirrione
Lenses: Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Visual Effects Supervisor
Leviathan (2014)
Directed by: Andrey Zvyagintsev
Cinematography by: Mikhail Krichman
Edited by: Anna Mass
Cameras: ARRIFLEX Camera
Lenses: Zeiss Master Prime Lenses
Visual Effects Supervisor: Piastro VFX
Viy (2014)
Directed by: Oleg Stepchenko
Edited by: Petr Zelenov
Visual Effects Supervisor
Step Up Revolution (2012)
Directed by: Scott Speer
Cinematography by: Karsten Gopinath
Cameras: Red Epic Camera
Visual Effects Supervisor
The Darkest Hour (2011)
Directed by: Chris Gorak
Cinematography by: Scott Kevan
Cameras: Sony CineAlta F35 Camera, Sony HDC-P1 Camera
Visual Effects Production Supervisor: Bazelevs
Apollo 18 (2011)
Directed by: Gonzalo López-Gallego
Cinematography by: José David Montero
Edited by: Patrick Lussier
Cameras: ARRIFLEX 16SR Camera, Sony CineAlta F23 Camera
Lenses: Panavision Primo Digital Lenses
Visual Effects Supervisor
Vykrutasy (2011)
Directed by: Levan Gabriadze
Cinematography by: Marat Adelshin
Edited by: Aleksandr Andryushchenko
Visual Effects Supervisor: Bazelevs
Wanted (2008)
Directed by: Timur Bekmambetov
Cinematography by: Mitchell Amundsen
Edited by: David Brenner
Visual Effects Supervisor
Mongol: The Rise of Genghis Khan (2007)
Directed by: Sergei Bodrov
Cameras: ARRIFLEX Camera
Computer Graphics
The Return (2003)
Directed by: Andrey Zvyagintsev
Cinematography by: Mikhail Krichman
Edited by: Vladimir Mogilevskiy
