Francesca Di Mottola

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Io sono l'amore | ShotOnWhat?

Production Designer

Io sono l'amore (2009)

Directed by: Luca Guadagnino

Cinematography by: Yorick Le Saux

Edited by: Walter Fasano

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses, Zeiss ARRI Macro Lenses

Sweeney Todd: The Demon Barber of Fleet Street | ShotOnWhat?

Draftsperson

Sweeney Todd: The Demon Barber of Fleet Street (2007)

Directed by: Tim Burton

Cinematography by: Dariusz Wolski

Edited by: Chris Lebenzon

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

A Very Long Engagement | ShotOnWhat?

Trainee Decorator

A Very Long Engagement (2004)

Directed by: Jean-Pierre Jeunet

Cinematography by: Bruno Delbonnel

Edited by: Hervé Schneid

Cameras: Aaton 35-III Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens

Cold Mountain | ShotOnWhat?

Draftsperson

Cold Mountain (2003)

Directed by: Anthony Minghella

Cinematography by: John Seale

Edited by: Walter Murch

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Final Cut Pro Editing System

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