James B. Appleton

11 Titles

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The Holdovers | ShotOnWhat?

Boom Operator

The Holdovers (2023)

Directed by: Alexander Payne

Cinematography by: Eigil Bryld

Edited by: Kevin Tent

Cameras: ARRI ALEXA Mini Camera

Lenses: Panavision H Series Lenses, Panavision Lenses, Panavision Primo Zooms Spherical Lenses

"Westworld" The Auguries | ShotOnWhat?

Boom Operator: New York Unit

'Westworld' The Auguries (2022)

Television Episode

Directed by: Richard J. Lewis

Cinematography by: John Conroy

Edited by: Sarah C. Reeves, Andrew Seklir

Dexter: New Blood | ShotOnWhat?

Additional Boom Operator - 10 Episodes, 2021-2022

Dexter: New Blood (2021)

Television Series

Directed by: Marcos Siega

Cameras: ARRI ALEXA Mini LF Camera

West Side Story | ShotOnWhat?

Additional Sound Utility

West Side Story (2021)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Gemini Man | ShotOnWhat?

Sound Utility: Additional Photography

Gemini Man (2019)

Directed by: Ang Lee

Cinematography by: Dion Beebe

Edited by: Tim Squyres

Cameras: ARRI ALEXA XT M Camera, Phantom Flex4K Camera

Lenses: Leitz Summilux-C Series Lenses

High Flying Bird | ShotOnWhat?

Boom Operator

High Flying Bird (2019)

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Steven Soderbergh

Cameras: Apple iPhone Camera

Second Act | ShotOnWhat?

Boom Operator: Additional Photography

Second Act (2018)

Directed by: Peter Segal

Cinematography by: Ueli Steiger

Edited by: Jason Gourson

Cameras: ARRI ALEXA Mini Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI Ultra Wide Zoom 9.5-18mm T2.9 Lens

Westworld | ShotOnWhat?

Boom Operator: New York Unit - 1 Episode, 2022

Westworld (2016)

Television Series

Cinematography by: John Grillo, Darran Tiernan, Brendan Galvin, Robert McLachlan, John Conroy, Peter Flinckenberg, Paul Cameron, Jeffrey Jur, Zoë White, David Franco, M. David Mullen, Matt Flannery

Edited by: Andrew Seklir, Anna Hauger, Ali Comperchio, Tanya M. Swerling, Mark Yoshikawa, David Eisenberg, Stephen Semel, Ron Rosen, Amelia Allwarden, Sarah C. Reeves, Marc Jozefowicz, Mako Kamitsuna, Yoni Reiss

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Sony CineAlta VENICE Camera

Cold in July | ShotOnWhat?

Additional Sound Mixer

Cold in July (2014)

Directed by: Jim Mickle

Cinematography by: Ryan Samul

Edited by: John Paul Horstmann, Jim Mickle

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 18mm T2.0 Lens, Cooke S4 Prime 25mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens

Goodbye to All That | ShotOnWhat?

Boom Operator

Goodbye to All That (2014)

Directed by: Angus MacLachlan

Cinematography by: Corey Walter

Edited by: Jennifer Lilly

Cameras: ARRI ALEXA Series Cameras

Cloned: The Recreator Chronicles | ShotOnWhat?

Grip

Cloned: The Recreator Chronicles (2012)

Directed by: Gregory Orr

Cinematography by: David Tumblety

Edited by: Scott Martin

Cameras: Red One Camera

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