Malcolm Scerri-Ferrante

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Papillon | ShotOnWhat?

Production Executive

Papillon (2017)

Directed by: Michael Noer

Cinematography by: Hagen Bogdanski

Edited by: John Axelrad, Lee Haugen

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Zeiss Ultra Prime Lenses

The Heir Apparent: Largo Winch | ShotOnWhat?

Production Manager: Malta

The Heir Apparent: Largo Winch (2008)

Directed by: Jérôme Salle

Cinematography by: Denis Rouden

Edited by: Richard Marizy

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Eragon | ShotOnWhat?

Unit Production Manager

Eragon (2006)

Directed by: Stefen Fangmeier

Cinematography by: Hugh Johnson

Edited by: Roger Barton, Masahiro Hirakubo, Chris Lebenzon

Alexander | ShotOnWhat?

Production Manager: Second Unit, Malta

Alexander (2004)

Directed by: Oliver Stone

Cinematography by: Rodrigo Prieto

Edited by: Yann Hervé, Gladys Joujou, Alex Marquez, Thomas J. Nordberg

The Count of Monte Cristo | ShotOnWhat?

Production Manager: Malta

The Count of Monte Cristo (2002)

Directed by: Kevin Reynolds

Cinematography by: Andrew Dunn

Edited by: Stephen Semel, Christopher Womack

Pinocchio | ShotOnWhat?

Production Manager: Second Unit, Malta

Pinocchio (2002)

Directed by: Roberto Benigni

Cinematography by: Dante Spinotti

Edited by: Simona Paggi

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

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