Score Mixer / Score Recordist
Darling Companion (2012)
Directed by: Lawrence Kasdan
Cinematography by: Michael McDonough
Edited by: Carol Littleton
Additional Score Mixer
The Bourne Legacy (2012)
Directed by: Tony Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Additional Score Recordist
Duplicity (2009)
Directed by: Tony Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Cameras: Panavision Panaflex Platinum Camera
Music Mixer
For Your Consideration (2006)
Directed by: Christopher Guest
Cinematography by: Roberto Schaefer
Edited by: Robert Leighton
Cameras: Aaton XTR Prod Camera, Ultracam 35 Camera
Music Mixer / Music Recording Engineer
A Mighty Wind (2003)
Directed by: Christopher Guest
Cinematography by: Arlene Nelson
Edited by: Robert Leighton
Score Engineer / Score Mixer
Rush (1991)
Directed by: Lili Fini Zanuck
Cinematography by: Kenneth MacMillan
Edited by: Mark Warner
Music Engineer
Air America (1990)
Directed by: Roger Spottiswoode
Cinematography by: Roger Deakins
Cameras: ARRIFLEX Camera
Lenses: ARRI / Zeiss Lenses
Music Scoring Mixer: Los Angeles
Coming to America (1988)
Directed by: John Landis
Cinematography by: Woody Omens
Cameras: Panavision Panaflex Gold Camera
Music Production Audio Consultant
Fast Times at Ridgemont High (1982)
Directed by: Amy Heckerling
Cinematography by: Matthew F. Leonetti
Edited by: Eric Jenkins
Cameras: Ultracam 35 Camera
