Misha Kachkachishvili

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BlacKkKlansman | ShotOnWhat?

Score Mixer: New Orleans

BlacKkKlansman (2018)

Directed by: Spike Lee

Cinematography by: Chayse Irvin

Edited by: Barry Alexander Brown

Cameras: Aaton Penelope Camera, Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision PVintage Prime Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Zeiss Master Prime Lenses

Girls Trip | ShotOnWhat?

Score Engineer / Score Mixer

Girls Trip (2017)

Directed by: Malcolm D. Lee

Cinematography by: Greg Gardiner

Edited by: Paul Millspaugh

Cameras: Sony PMW-F55 Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

Midnight Special | ShotOnWhat?

Music Consultant

Midnight Special (2016)

Directed by: Jeff Nichols

Cinematography by: Adam Stone

Edited by: Julie Monroe

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Get Hard | ShotOnWhat?

Recording Engineer

Get Hard (2015)

Directed by: Etan Cohen

Cinematography by: Tim Suhrstedt

Edited by: Michael L. Sale

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses

Madea's Witness Protection | ShotOnWhat?

Recording Engineer

Madea's Witness Protection (2012)

Directed by: Tyler Perry

Cinematography by: Alexander Gruszynski

Edited by: Maysie Hoy

Cameras: ARRI ALEXA Camera

Lenses: Panavision Primo Anamorphic Lenses

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