Digital Artist: New Deal Studios
Shutter Island (2010)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX 765 Camera, ARRIFLEX D-21 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Editing System: Lightworks Editing System
Digital Compositor: Steve Wright Digital FX/New Deal Studios
Night at the Museum: Battle of the Smithsonian (2009)
Directed by: Shawn Levy
Cinematography by: John Schwartzman
Animator: End Titles
First Snow (2006)
Directed by: Mark Fergus
Cinematography by: Eric Alan Edwards
Edited by: Jay Cassidy
Digital Compositor: LaserPacific
The Woods (2006)
Directed by: Lucky McKee
Cinematography by: John R. Leonetti
Cameras: Panavision Cameras
Titles: Steve Wright Digital FX
The Black Dahlia (2006)
Directed by: Brian De Palma
Cinematography by: Vilmos Zsigmond
Edited by: Bill Pankow
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Titles: French Canadian, Steve Wright Digital FX
Big Momma's House 2 (2006)
Directed by: John Whitesell
Cinematography by: Mark Irwin
Edited by: Priscilla Nedd-Friendly
Visual Effects: Steve Wright Digital FX
The L.A. Riot Spectacular (2005)
Directed by: Marc Klasfeld
Cinematography by: Barry Norwood
Edited by: Richard Alarcon
Cameras: Sony DSR-500WS Camera
Subtitles: Steve Wright Digital FX
Harsh Times (2005)
Directed by: David Ayer
Cinematography by: Steve Mason
Edited by: Conrad Buff IV
Digital Intermediate Compositor: Laser Pacific Media
The Matador (2005)
Directed by: Richard Shepard
Cinematography by: David Tattersall
Edited by: Carole Kravetz Aykanian
Compositing Artist: Cinesite
Ray (2004)
Directed by: Taylor Hackford
Cinematography by: Pawel Edelman
Edited by: Paul Hirsch
Digital Visual Effects Supervisor: Cinesite
Never Die Alone (2004)
Directed by: Ernest R. Dickerson
Cinematography by: Matthew Libatique
Edited by: Stephen Lovejoy
Digital Compositor: Cinesite
She Hate Me (2004)
Directed by: Spike Lee
Cinematography by: Matthew Libatique
Edited by: Barry Alexander Brown
Cameras: Aaton A-Minima Camera, ARRI Cameras
Stitch Cam Digital Compositor: Cinesite
Ladder 49 (2004)
Directed by: Jay Russell
Cinematography by: James L. Carter
Digital Compositor: Cinesite
The Big Bounce (2004)
Directed by: George Armitage
Cinematography by: Jeffrey L. Kimball
Digital Compositor: Cinesite
Spy Kids 3-D: Game Over (2003)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Digital Compositor: Cinesite
S.W.A.T. (2003)
Directed by: Clark Johnson
Cinematography by: Gabriel Beristain
Edited by: Michael Tronick
Stitch Cam Digital Compositor: Cinesite
Seabiscuit (2003)
Directed by: Gary Ross
Cinematography by: John Schwartzman
Edited by: William Goldenberg
Editing System: Avid Editing System
Digital Compositor: Cinesite
Open Range (2003)
Directed by: Kevin Costner
Cinematography by: James M. Muro
Technical Artist: Cinesite
Path to War (2002)
Directed by: John Frankenheimer
Edited by: Richard Francis-Bruce
Digital Compositor: Cinesite
The Mothman Prophecies (2002)
Directed by: Mark Pellington
Cinematography by: Fred Murphy
Edited by: Brian Berdan
Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision Lenses
Digital Compositor: Cinesite
Hart's War (2002)
Directed by: Gregory Hoblit
Cinematography by: Alar Kivilo
Edited by: David Rosenbloom
Digital Compositor: Cinesite
The Time Machine (2002)
Directed by: Simon Wells
Cinematography by: Donald McAlpine
Edited by: Wayne Wahrman
Cameras: Panavision Panaflex Camera
Editing System: Avid Editing System
Digital Compositor: Cinesite
Clockstoppers (2002)
Directed by: Jonathan Frakes
Cinematography by: Tim Suhrstedt
Digital Compositor: Cinesite
Solaris (2002)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Digital Compositor: Cinesite
Spy Kids 2: Island of Lost Dreams (2002)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: Sony HDW-F900 Camera
Stitch Cam Digital Compositor: Cinesite
Ali (2001)
Directed by: Michael Mann
Cinematography by: Emmanuel Lubezki
Digital Compositor: Cinesite
Rat Race (2001)
Directed by: Jerry Zucker
Cinematography by: Thomas E. Ackerman
Edited by: Tom Lewis
Digital Compositor: Cinesite
The One (2001)
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: James Coblentz
Digital Compositor: Cinesite
Amy's Orgasm (2001)
Directed by: Julie Davis
Cinematography by: Mark Mervis
Edited by: Julie Davis
Digital Compositor: Cinesite
Traffic (2000)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Digital Compositor: Cinesite
U-571 (2000)
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Wayne Wahrman
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Cooke S4 Lenses, Nikon - Nikkor Lenses
Digital Compositor: Cinesite
The 13th Warrior (1999)
Cinematography by: Peter Menzies Jr.
Edited by: John Wright
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Compositor: Cinesite
Hard Rain (1998)
Directed by: Mikael Salomon
Cinematography by: Peter Menzies Jr.
Digital Compositor: Cinesite
Air Force One (1997)
Directed by: Wolfgang Petersen
Cinematography by: Michael Ballhaus
Edited by: Richard Francis-Bruce
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Variable Prime Lenses
Digital Compositor: Cinesite
Batman & Robin (1997)
Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Digital Effects Producer: Atomix
Judge Dredd (1995)
Directed by: Danny Cannon
Cinematography by: Adrian Biddle
Digital Effects Supervisor: Sidley Wright & Assoc.
Coneheads (1993)
Directed by: Steve Barron
Cinematography by: Francis Kenny
Edited by: Paul Trejo
Digital Effects Supervisor: Sidley Wright & Assoc.
Golden Gate (1993)
Directed by: John Madden
Cinematography by: Bobby Bukowski
Edited by: Sean Barton
Digital Effects Supervisor: Sidley Wright & Assoc.
Hot Shots! (1991)
Directed by: Jim Abrahams
Cinematography by: Bill Butler
Digital Effects Supervisor: Sidley Wright & Associates
Freddy's Dead: The Final Nightmare (1991)
Directed by: Rachel Talalay
Cinematography by: Declan Quinn
Edited by: Janice Hampton
