Assistant Colourist
Come Away (2020)
Directed by: Brenda Chapman
Cinematography by: Jules O'Loughlin
Edited by: Dody Dorn
Assistant Colourist
The Art of Racing in the Rain (2019)
Directed by: Simon Curtis
Cinematography by: Ross Emery
Edited by: Adam Recht
Cameras: ARRI ALEXA SXT EV Cameras
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk Vantage One 120mm T1 Lens, Hawk Vantage One 17.5mm T1 Lens, Hawk Vantage One 21mm T1 Lens, Hawk Vantage One 25mm T1 Lens, Hawk Vantage One 32mm T1 Lens, Hawk Vantage One 40mm T1 Lens, Hawk Vantage One 50mm T1 Lens, Hawk Vantage One 65mm T1 Lens, Hawk Vantage One 90mm T1 Lens
Assistant Colourist
Cats (2019)
Directed by: Tom Hooper
Cinematography by: Christopher Ross
Edited by: Melanie Oliver
Cameras: ARRI ALEXA 65 Camera
Assistant Colourist
The Favourite (2018)
Directed by: Yorgos Lanthimos
Cinematography by: Robbie Ryan
Edited by: Yorgos Mavropsaridis
Assistant Colourist
American Animals (2018)
Directed by: Bart Layton
Cinematography by: Ole Bratt Birkeland
Assistant Colourist
Outlaw King (2018)
Directed by: David Mackenzie
Cinematography by: Barry Ackroyd
Edited by: Jake Roberts
Assistant Colourist
Victoria & Abdul (2017)
Directed by: Stephen Frears
Cinematography by: Danny Cohen
Edited by: Melanie Oliver
Cameras: ARRI ALEXA Camera, Red Epic Dragon Camera
Assistant Colourist
The Killing of a Sacred Deer (2017)
Directed by: Yorgos Lanthimos
Cinematography by: Thimios Bakatakis
Edited by: Yorgos Mavropsaridis
Cameras: ARRICAM Lite (LT) Camera
Lenses: Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Assistant Colourist
Murder on the Orient Express (2017)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Mick Audsley
Digital Compositor
The Bigger Picture (2014)
Directed by: Daisy Jacobs
Cinematography by: Max Williams
Edited by: Vera Simmonds
