Laura J. Fox

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Midnight Special | ShotOnWhat?

First Assistant Accountant

Midnight Special (2016)

Directed by: Jeff Nichols

Cinematography by: Adam Stone

Edited by: Julie Monroe

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Live by Night | ShotOnWhat?

Additional First Assistant Accountant

Live by Night (2016)

Directed by: Ben Affleck

Cinematography by: Robert Richardson

Edited by: William Goldenberg

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision Sphero 65 Series Lenses, Panavision Super Panavision 70 Series Lenses

Texas Chainsaw 3D | ShotOnWhat?

Production Accountant

Texas Chainsaw 3D (2013)

Directed by: John Luessenhop

Cinematography by: Anastas N. Michos

Edited by: Randy Bricker

Cameras: Red Epic Camera

Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens

Editing System: Avid Editing System

Abduction | ShotOnWhat?

First Assistant Accountant

Abduction (2011)

Directed by: John Singleton

Cinematography by: Peter Menzies Jr.

Edited by: Bruce Cannon

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

The Experiment | ShotOnWhat?

First Assistant Accountant

The Experiment (2010)

Directed by: Paul Scheuring

Cinematography by: Amy Vincent

Edited by: Peter S. Elliot

I Love You, Man | ShotOnWhat?

First Assistant Accountant

I Love You, Man (2009)

Directed by: John Hamburg

Cinematography by: Lawrence Sher

Edited by: William Kerr

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Get Rich or Die Tryin' | ShotOnWhat?

First Assistant Accountant

Get Rich or Die Tryin' (2005)

Directed by: Jim Sheridan

Cinematography by: Declan Quinn

Edited by: Roger Barton, Conrad Buff IV

Cameras: Panavision Cameras

The Italian Job | ShotOnWhat?

First Assistant Accountant

The Italian Job (2003)

Directed by: F. Gary Gray

Cinematography by: Wally Pfister

Edited by: Richard Francis-Bruce, Christopher Rouse

Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo AL35 35 mm T2.0 Lens, Panavision Primo Anamorphic Lenses, Panavision Ultra Speed MKII 35 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

Blue Crush | ShotOnWhat?

First Assistant Accountant

Blue Crush (2002)

Directed by: John Stockwell

Cinematography by: David Hennings

Edited by: Emma E. Hickox

Ghosts of Mars | ShotOnWhat?

First Assistant Accountant

Ghosts of Mars (2001)

Directed by: John Carpenter

Cinematography by: Gary B. Kibbe

Edited by: Paul C. Warschilka

American Pie | ShotOnWhat?

Assistant Accountant

American Pie (1999)

Directed by: Paul Weitz, Chris Weitz

Cinematography by: Richard Crudo

Edited by: Priscilla Nedd-Friendly

The Chamber | ShotOnWhat?

Second Assistant Accountant

The Chamber (1996)

Directed by: James Foley

Cinematography by: Ian Baker

Edited by: Mark Warner

Grumpier Old Men | ShotOnWhat?

Assistant Accountant

Grumpier Old Men (1995)

Directed by: Howard Deutch

Cinematography by: Tak Fujimoto

Edited by: Maryann Brandon, Seth Flaum, Billy Weber

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