Post-production Supervisor
The Shape of Water (2017)
Directed by: Guillermo del Toro
Cinematography by: Dan Laustsen
Edited by: Sidney Wolinsky
Lenses: Zeiss Master Prime Lenses
Post-production Supervisor
Risen (2016)
Directed by: Kevin Reynolds
Cinematography by: Lorenzo Senatore
Edited by: Steve Mirkovich
Cameras: ARRI ALEXA Camera
Post-production Supervisor
Crimson Peak (2015)
Directed by: Guillermo del Toro
Cinematography by: Dan Laustsen
Edited by: Bernat Vilaplana
Cameras: ARRI ALEXA XT Camera
Post-production Supervisor
Take This Waltz (2011)
Directed by: Sarah Polley
Cinematography by: Luc Montpellier
Edited by: Christopher Donaldson
Post-production Supervisor
Afghan Luke (2011)
Directed by: Mike Clattenburg
Cinematography by: Jeremy Benning
Edited by: Roger Mattiussi
Post-production Supervisor
Barney's Version (2010)
Directed by: Richard J. Lewis
Cinematography by: Guy Dufaux
Edited by: Susan Shipton
Cameras: ARRIFLEX Camera
Post-production Supervisor
Chloe (2009)
Directed by: Atom Egoyan
Cinematography by: Paul Sarossy
Edited by: Susan Shipton
Post-production Supervisor
Trailer Park Boys: Countdown to Liquor Day (2009)
Directed by: Mike Clattenburg
Cinematography by: Ted McInnes
Edited by: Roger Mattiussi
Post-production Supervisor
Requiem for a Dream (2000)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Jay Rabinowitz
Cameras: Bell & Howell Eyemo Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panastar Camera, Sony Betacam (Unknown) Camera
Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses
Editing System: Avid Editing System
