Michael Kavanagh

  18 Titles
Is this you? Add a Profile

Special Effects Coordinator

After Alice  (2000)

Directed by: Paul Marcus
Cinematography by: Brian Pearson

Special Effects Coordinator

Finding Forrester  (2000)

Directed by: Gus Van Sant
Cinematography by: Harris Savides

Special Effects Coordinator

Bait  (2000)

Directed by: Antoine Fuqua
Cinematography by: Tobias A. Schliessler
Edited by: Alan Edward Bell

Special Effects Coordinator

American Psycho  (2000)

Directed by: Mary Harron
Cinematography by: Andrzej Sekula
Edited by: Andrew Marcus

Floor Effects, Mechanical Effects Coordinator

eXistenZ  (1999)

Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders

Special Effects Coordinator

54  (1998)

Directed by: Mark Christopher
Cinematography by: Alexander Gruszynski
Edited by: Lee Percy

Special Effects Coordinator

Judas Kiss  (1998)

Directed by: Sebastian Gutierrez
Cinematography by: James Chressanthis
Edited by: Howard E. Smith

Special Effects Coordinator

Senior Trip  (1995)

Directed by: Kelly Makin
Cinematography by: François Protat
Edited by: Stephen Lawrence

Special Effects Coordinator

Moonlight and Valentino  (1995)

Directed by: David Anspaugh
Cinematography by: Julio Macat
Edited by: David Rosenbloom

Special Effects Coordinator

Tommy Boy  (1995)

Directed by: Peter Segal
Cinematography by: Victor J. Kemper
Edited by: William Kerr

Special Effects

If Looks Could Kill  (1991)

Directed by: William Dear
Cinematography by: Douglas Milsome
Edited by: John F. Link

Mechanical Effects Assistant

Millennium  (1989)

Directed by: Michael Anderson
Cinematography by: Rene Ohashi
Edited by: Ron Wisman

Special Effects Coordinator

3 Men and a Baby  (1987)

Directed by: Leonard Nimoy
Cinematography by: Adam Greenberg

Special Effects

The Dead Zone  (1983)

Directed by: David Cronenberg
Cinematography by: Mark Irwin
Edited by: Ronald Sanders

Makeup Effects Assistant

Videodrome  (1983)

Directed by: David Cronenberg
Cinematography by: Mark Irwin
Edited by: Ronald Sanders
Save ShotOnWhat?