Benjamin Vermot

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Dunkirk | ShotOnWhat?

Sculpture Decorator

Dunkirk (2017)

Directed by: Christopher Nolan

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Cameras: IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Hasselblad Lenses, Panavision 65mm Prime Lenses

Micmacs à tire-larigot | ShotOnWhat?

Special Effects

Micmacs à tire-larigot (2009)

Directed by: Jean-Pierre Jeunet

Cinematography by: Tetsuo Nagata

Edited by: Hervé Schneid

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Classic Spherical Lenses

A Very Long Engagement | ShotOnWhat?

Sculptor

A Very Long Engagement (2004)

Directed by: Jean-Pierre Jeunet

Cinematography by: Bruno Delbonnel

Edited by: Hervé Schneid

Cameras: Aaton 35-III Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens

Bon voyage | ShotOnWhat?

Special Effects

Bon voyage (2003)

Directed by: Jean-Paul Rappeneau

Cinematography by: Thierry Arbogast

Edited by: Maryline Monthieux

Cameras: Panavision Cameras

Amélie | ShotOnWhat?

Special Effects Technician

Amélie (2001)

Directed by: Jean-Pierre Jeunet

Cinematography by: Bruno Delbonnel

Edited by: Hervé Schneid

Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera, Iwerks Cameras

Lenses: Zeiss Ultra Prime Lenses

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