Dominique Gaborieau

23 Titles

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At Eternity's Gate | ShotOnWhat?

Re-recording Mixer

At Eternity's Gate (2018)

Directed by: Julian Schnabel

Cinematography by: Benoît Delhomme

Edited by: Louise Kugelberg, Julian Schnabel

Cameras: Red Helium (Weapon) 8K

Lenses: Kowa Cine Prominar 20mm T2.3 Lens, Kowa Cine Prominar 25mm T2.3 Lens, Kowa Cine Prominar 32mm T2.3 Lens, Kowa Cine Prominar Spherical Lenses

Miss Sloane | ShotOnWhat?

Re-recording Mixer

Miss Sloane (2016)

Directed by: John Madden

Cinematography by: Sebastian Blenkov

Edited by: Alexander Berner

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Cooke S4/i Lenses

Et ta soeur | ShotOnWhat?

Re-recording Mixer

Et ta soeur (2015)

Directed by: Marion Vernoux

Cinematography by: Nicolas Gaurin

Edited by: Guerric Catala

Cameras: ARRI AMIRA Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Super Speed Lenses

Timbuktu | ShotOnWhat?

Sound Recordist

Timbuktu (2014)

Directed by: Abderrahmane Sissako

Cinematography by: Sofian El Fani

Edited by: Nadia Ben Rachid

Cameras: ARRI ALEXA Plus Camera

Lenses: Cooke S4 Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses

La grande boucle | ShotOnWhat?

Sound

La grande boucle (2013)

Directed by: Laurent Tuel

Cinematography by: Gilles Porte

Edited by: Antoine Vareille

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

20 ans d'écart | ShotOnWhat?

Re-recording Mixer

20 ans d'écart (2013)

Directed by: David Moreau

Cinematography by: Laurent Tangy

Edited by: Cyril Besnard

Cameras: ARRICAM Studio (ST) Camera

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Tu honoreras ta mère et ta mère | ShotOnWhat?

Sound Mixer

Tu honoreras ta mère et ta mère (2012)

Directed by: Brigitte Roüan

Cinematography by: Agnès Godard

Edited by: Laurent Rouan

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Cooke 5/i Lenses

Thérèse | ShotOnWhat?

Re-recording Mixer

Thérèse (2012)

Directed by: Claude Miller

Cinematography by: Gérard de Battista

Edited by: Véronique Lange

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Fujinon Alura Lenses

Ma bonne étoile | ShotOnWhat?

Re-recording Mixer

Ma bonne étoile (2012)

Directed by: Anne Fassio

Edited by: Marion Monestier

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Et maintenant on va où? | ShotOnWhat?

Re-recording Mixer

Et maintenant on va où? (2011)

Directed by: Nadine Labaki

Cinematography by: Christophe Offenstein

Edited by: Véronique Lange

Cameras: ARRI ALEXA Camera

L'homme qui voulait vivre sa vie | ShotOnWhat?

Re-recording Mixer

L'homme qui voulait vivre sa vie (2010)

Directed by: Eric Lartigau

Cinematography by: Laurent Dailland

Edited by: Stéphane Garnier, Juliette Welfling

Je n'ai rien oublié | ShotOnWhat?

Re-recording Mixer

Je n'ai rien oublié (2010)

Directed by: Bruno Chiche

Cinematography by: Thomas Hardmeier

Edited by: Marion Monnier

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, ARRI Shift & Tilt System Lens, Cooke S4 Lenses

L'amour, c'est mieux à deux | ShotOnWhat?

Re-recording Mixer / Sound

L'amour, c'est mieux à deux (2010)

Directed by: Dominique Farrugia, Arnaud Lemort

Cinematography by: Éric Guichard

Edited by: Sylvie Gadmer

Miral | ShotOnWhat?

Re-recording Mixer

Miral (2010)

Directed by: Julian Schnabel

Cinematography by: Eric Gautier

Edited by: Juliette Welfling

Espion(s) | ShotOnWhat?

Re-recording Mixer

Espion(s) (2009)

Directed by: Nicolas Saada

Cinematography by: Stéphane Fontaine

Edited by: Juliette Welfling

Cameras: Aaton Cameras, ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Je suis heureux que ma mère soit vivante | ShotOnWhat?

Re-recording Mixer

Je suis heureux que ma mère soit vivante (2009)

Directed by: Claude Miller, Nathan Miller

Cinematography by: Aurélien Devaux

Edited by: Morgane Spacagna

Coco Before Chanel | ShotOnWhat?

Re-recording Mixer

Coco Before Chanel (2009)

Directed by: Anne Fontaine

Cinematography by: Christophe Beaucarne

Edited by: Luc Barnier

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Room of Death | ShotOnWhat?

Re-recording Mixer

Room of Death (2007)

Directed by: Alfred Lot

Cinematography by: Jérôme Alméras

Edited by: Maryline Monthieux

The Diving Bell and the Butterfly | ShotOnWhat?

Sound

The Diving Bell and the Butterfly (2007)

Directed by: Julian Schnabel

Cinematography by: Janusz Kaminski

Edited by: Juliette Welfling

Cameras: ARRIFLEX 435 Camera

Lenses: ARRI Shift & Tilt System Lens, Zeiss Super Speed Lenses

Kruistocht in spijkerbroek | ShotOnWhat?

Re-recording Mixer

Kruistocht in spijkerbroek (2006)

Directed by: Ben Sombogaart

Cinematography by: Reinier van Brummelen

Edited by: Herman P. Koerts

Quelques jours en septembre | ShotOnWhat?

Re-recording Mixer

Quelques jours en septembre (2006)

Directed by: Santiago Amigorena

Cinematography by: Christophe Beaucarne

Edited by: Sarah Turoche

Demonlover | ShotOnWhat?

Re-recording Mixer

Demonlover (2002)

Directed by: Olivier Assayas

Cinematography by: Denis Lenoir

Edited by: Luc Barnier

The Taste of Others | ShotOnWhat?

Sound

The Taste of Others (2000)

Directed by: Agnès Jaoui

Cinematography by: Laurent Dailland

Edited by: Hervé de Luze

Cameras: ARRIFLEX 535 B Camera

Lenses: Cooke S4 Lenses

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