Fabien Devillers

8 Titles

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Maintenant ou jamais | ShotOnWhat?

Adr Recordist / Dialogue Editor

Maintenant ou jamais (2014)

Directed by: Serge Frydman

Cinematography by: Pierre-Hugues Galien

Edited by: Céline Kélépikis

Cameras: Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Big Miracle | ShotOnWhat?

Dubbing Mixer

Big Miracle (2012)

Directed by: Ken Kwapis

Cinematography by: John Bailey

Edited by: Cara Silverman

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C360 350 mm T4.0 Lens, Panavision Primo Anamorphic Lenses

Le grand soir | ShotOnWhat?

Dialogue Editor / Re-recording Mixer

Le grand soir (2012)

Directed by: Benoît Delépine, Gustave Kervern

Cinematography by: Hugues Poulain

Edited by: Stéphane Elmadjian

Cameras: ARRI ALEXA Camera, Canon EOS-7D Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Elle s'appelait Sarah | ShotOnWhat?

Adr Recordist / Dialogue Editor / Re-recording Mixer

Elle s'appelait Sarah (2010)

Directed by: Gilles Paquet-Brenner

Cinematography by: Pascal Ridao

Edited by: Hervé Schneid

Cameras: Red One Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

The Secret of Kells | ShotOnWhat?

Re-recording Mixer

The Secret of Kells (2009)

Directed by: Tomm Moore, Nora Twomey

Edited by: Fabienne Alvarez-Giro

The Broken | ShotOnWhat?

Re-recording Mixer

The Broken (2008)

Directed by: Sean Ellis

Cinematography by: Angus Hudson

Edited by: Scott Thomas

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Mr. Bean's Holiday | ShotOnWhat?

Sound Re-recordist

Mr. Bean's Holiday (2007)

Directed by: Steve Bendelack

Cinematography by: Baz Irvine

Edited by: Tony Cranstoun

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

36th Precinct | ShotOnWhat?

Sound Re-recording Mixer: Promoreel Cannes

36th Precinct (2004)

Directed by: Olivier Marchal

Cinematography by: Denis Rouden

Edited by: Hugues Darmois

Cameras: Aaton 35-III Camera, Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Primes Spherical Lenses

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