Re-recording Mixer
The Untouchables (1987)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Cameras: Panavision Panaflex Gold Camera
Sound Re-recording Supervisor
House of Games (1987)
Directed by: David Mamet
Cinematography by: Juan Ruiz Anchía
Edited by: Trudy Ship
Re-recording Mixer
The Morning After (1986)
Directed by: Sidney Lumet
Cinematography by: Andrzej Bartkowiak
Edited by: Joel Goodman
Re-recording Mixer
Heartburn (1986)
Directed by: Mike Nichols
Cinematography by: Néstor Almendros
Edited by: Sam O'Steen
Re-recording Mixer
After Hours (1985)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Rerecording Supervisor
Tender Mercies (1983)
Directed by: Bruce Beresford
Cinematography by: Russell Boyd
Edited by: William M. Anderson
Re-recording Mixer
Silkwood (1983)
Directed by: Mike Nichols
Cinematography by: Miroslav Ondrícek
Edited by: Sam O'Steen
Re-recording Mixer
The King of Comedy (1982)
Directed by: Martin Scorsese
Cinematography by: Fred Schuler
Edited by: Thelma Schoonmaker
Cameras: ARRI ARRIFLEX Series Cameras
Sound Re-recordist
Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean (1982)
Directed by: Robert Altman
Cinematography by: Pierre Mignot
Edited by: Jason Rosenfield
Sound Re-recording Supervisor
The World According to Garp (1982)
Directed by: George Roy Hill
Cinematography by: Miroslav Ondrícek
Edited by: Stephen A. Rotter
Re-recording Mixer
Prince of the City (1981)
Directed by: Sidney Lumet
Cinematography by: Andrzej Bartkowiak
Edited by: Jack Fitzstephens
Cameras: Panavision Cameras
Re-recording Mixer
Reds (1981)
Directed by: Warren Beatty
Cinematography by: Vittorio Storaro
Cameras: Technovision Cameras
Lenses: Technovision Lenses
Sound Re-recording Supervisor
The Fan (1981)
Directed by: Ed Bianchi
Cinematography by: Dick Bush
Edited by: Alan Heim
Sound Re-recording Supervisor
Blow Out (1981)
Directed by: Brian De Palma
Cinematography by: Vilmos Zsigmond
Edited by: Paul Hirsch
Sound Re-recording Supervisor
Dressed to Kill (1980)
Directed by: Brian De Palma
Cinematography by: Ralf D. Bode
Edited by: Gerald B. Greenberg
Re-recording Mixer
Times Square (1980)
Directed by: Allan Moyle
Cinematography by: James A. Contner
Edited by: Tom Priestley
Cameras: Panavision Cameras
Re-recording Mixer
Just Tell Me What You Want (1980)
Directed by: Sidney Lumet
Cinematography by: Oswald Morris
Edited by: Jack Fitzstephens
Re-recording Supervisor: Trans Audio, Inc.
Kramer vs. Kramer (1979)
Directed by: Robert Benton
Cinematography by: Néstor Almendros
Edited by: Gerald B. Greenberg
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Last Embrace (1979)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Edited by: Barry Malkin
Sound Re-recording Mixer: Trans/Audio, Inc.
All That Jazz (1979)
Directed by: Bob Fosse
Cinematography by: Giuseppe Rotunno
Edited by: Alan Heim
Cameras: Panavision Cameras
Sound Re-recordist
Pretty Baby (1978)
Directed by: Louis Malle
Cinematography by: Sven Nykvist
Edited by: Suzanne Fenn
Sound Re-recording Supervisor
The Wiz (1978)
Directed by: Sidney Lumet
Cinematography by: Oswald Morris
Edited by: Dede Allen
Rerecording Supervisor: Trans/Audio
The Fury (1978)
Directed by: Brian De Palma
Cinematography by: Richard H. Kline
Edited by: Paul Hirsch
Re-recording Mixer
Blue Sunshine (1977)
Directed by: Jeff Lieberman
Cinematography by: Don Knight
Edited by: Brian Smedley-Aston
Re-recording Mixer
Equus (1977)
Directed by: Sidney Lumet
Cinematography by: Oswald Morris
Edited by: John Victor Smith
Re-recording Mixer
The Last Tycoon (1976)
Directed by: Elia Kazan
Cinematography by: Victor J. Kemper
Edited by: Richard Marks
Sound Re-recordist: Trans/Audio, Inc.
The Missouri Breaks (1976)
Directed by: Arthur Penn
Cinematography by: Michael C. Butler
Rerecording Supervisor
Dog Day Afternoon (1975)
Directed by: Sidney Lumet
Cinematography by: Victor J. Kemper
Edited by: Dede Allen
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Engineer
The Wild Party (1975)
Directed by: James Ivory
Cinematography by: Walter Lassally
Edited by: Kent McKinney
Sound Mixer
'An American Family' Episode #1.12 (1973)
Sound Mixer
'An American Family' Episode #1.11 (1973)
Sound Mixer
'An American Family' Episode #1.10 (1973)
Sound Mixer
'An American Family' Episode #1.9 (1973)
Sound Mixer
'An American Family' Episode #1.8 (1973)
Sound Mixer
'An American Family' Episode #1.7 (1973)
Sound Mixer
'An American Family' Episode #1.6 (1973)
Sound Mixer
'An American Family' Episode #1.5 (1973)
Sound Mixer
'An American Family' Episode #1.4 (1973)
Sound Mixer
'An American Family' Episode #1.3 (1973)
Sound Mixer
'An American Family' Episode #1.1 (1973)
Sound Mixer
An American Family (1973)
Directed by: Craig Gilbert
Cameras: Éclair NPR Camera
Lenses: Angenieux Lenses
Editing System: Steenbeck Editing System
Re-recordist
Serpico (1973)
Directed by: Sidney Lumet
Cinematography by: Arthur J. Ornitz
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Dubbing Mixer
The Long Goodbye (1973)
Directed by: Robert Altman
Cinematography by: Vilmos Zsigmond
Edited by: Lou Lombardo
Sound Mixer
Midnight Cowboy (1969)
Directed by: John Schlesinger
Cinematography by: Adam Holender
Edited by: Hugh A. Robertson
Sound Re-recordist
The Arrangement (1969)
Directed by: Elia Kazan
Cinematography by: Robert Surtees
Edited by: Stefan Arnsten
Cameras: Panavision Cameras
Re-recording Mixer
Louisiana Story (1948)
Directed by: Robert J. Flaherty
Cinematography by: Richard Leacock
Edited by: Helen van Dongen
Cameras: ARRI Cameras
