Boom Operator: Second Unit
'Better Call Saul' Breathe (2018)
Directed by: Michelle MacLaren
Edited by: Chris McCaleb
Boom Operator: Second Unit
'Better Call Saul' Piñata (2018)
Directed by: Andrew Stanton
Edited by: Chris McCaleb
Boom Operator: Second Unit
'Better Call Saul' Winner (2018)
Directed by: Adam Bernstein
Edited by: Chris McCaleb
Composer
A Good Reason (2018)
Directed by: August Holt Markwardt
Cinematography by: David J. Schweitzer
Edited by: August Holt Markwardt
Cameras: Aaton Penelope Camera
Boom Operator: Second Unit
'Better Call Saul' Chicanery (2017)
Directed by: Daniel Sackheim
Cinematography by: Marshall Adams
Edited by: Skip Macdonald
Sound Utility
Blood Father (2016)
Directed by: Jean-François Richet
Cinematography by: Robert Gantz
Edited by: Steven Rosenblum
Boom Operator: Second Unit - 6 Episodes, 2017-2018
Better Call Saul (2015)
Directed by: Vince Gilligan, Adam Bernstein, Thomas Schnauz, Peter Gould, Colin Bucksey, John Shiban, Michelle MacLaren, Larysa Kondracki, Terry McDonough, Daniel Sackheim, Minkie Spiro, Nicole Kassell, Michael Slovis, Scott Winant, Keith Gordon, Deborah Chow, Jim McKay, Michael Morris, Andrew Stanton, Bronwen Hughes, Norberto Barba
Edited by: Skip Macdonald, Kelley Dixon, Chris McCaleb, Curtis Thurber, Christopher M. Meagher, Joey Reinisch
Cameras: Panasonic Lumix DMC-GH4 Camera, Panasonic VariCam 35, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Sony α7R II Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens
Editing System: Avid Editing System
Sound Utility
Jane Got a Gun (2015)
Directed by: Gavin O'Connor
Cinematography by: Mandy Walker
Edited by: Alan Cody
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision B Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Sound Utility: Day-player
Good Kill (2014)
Directed by: Andrew Niccol
Cinematography by: Amir Mokri
Edited by: Zach Staenberg
