Re-recording Mixer
Lionheart (1990)
Directed by: Sheldon Lettich
Cinematography by: Robert C. New
Edited by: Mark Conte
Re-recording Mixer
Hider in the House (1989)
Directed by: Matthew Patrick
Cinematography by: Jeffrey Jur
Edited by: Debra T. Smith
Re-recording Mixer
The Boost (1988)
Directed by: Harold Becker
Cinematography by: Howard Atherton
Edited by: Maury Winetrobe
Sound Recording Mixer
Halloween 4: The Return of Michael Myers (1988)
Directed by: Dwight H. Little
Cinematography by: Peter Lyons Collister
Edited by: Curtiss Clayton
Re-recording Mixer
Near Dark (1987)
Directed by: Kathryn Bigelow
Cinematography by: Adam Greenberg
Edited by: Howard E. Smith
Re-recording Mixer
Platoon (1986)
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Edited by: Claire Simpson
Cameras: ARRIFLEX 35 BL3 Camera
Lenses: JDC (Joe Dunton Camera) Lenses
Editing System: Moviola Editing System
Re-recording Mixer
The Men's Club (1986)
Directed by: Peter Medak
Cinematography by: John Fleckenstein
Re-recording Mixer
Meatballs Part II (1984)
Directed by: Ken Wiederhorn
Cinematography by: Donald M. Morgan
Edited by: George Berndt
Re-recording Mixer
Missing in Action (1984)
Directed by: Joseph Zito
Cinematography by: João Fernandes
Sound Re-recordist
Who Will Love My Children? (1983)
Directed by: John Erman
Cinematography by: Thomas Del Ruth
Edited by: Jerrold L. Ludwig
Re-recording Mixer
Easy Money (1983)
Directed by: James Signorelli
Cinematography by: Fred Schuler
Cameras: ARRIFLEX Camera
Lenses: ARRI / Zeiss Lenses
Re-recording Mixer: American Crew
Yellowbeard (1983)
Directed by: Mel Damski
Cinematography by: Gerry Fisher
Edited by: William Reynolds
Re-recording Mixer
Evilspeak (1981)
Directed by: Eric Weston
Cinematography by: Irv Goodnoff
Edited by: Charles Tetoni
Re-recording Mixer
St. Helens (1981)
Directed by: Ernest Pintoff
Cinematography by: Jacques Haitkin
Edited by: George Berndt
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Going Ape! (1981)
Directed by: Jeremy Joe Kronsberg
Cinematography by: Frank V. Phillips
Edited by: John W. Wheeler
Re-recording Mixer
Road Games (1981)
Directed by: Richard Franklin
Cinematography by: Vincent Monton
Edited by: Edward McQueen-Mason
Re-recording Mixer
The Hollywood Knights (1980)
Directed by: Floyd Mutrux
Cinematography by: William A. Fraker
Re-recording Mixer
Prophecy (1979)
Directed by: John Frankenheimer
Cinematography by: Harry Stradling Jr.
Edited by: Tom Rolf
Re-recording Mixer
The Amityville Horror (1979)
Directed by: Stuart Rosenberg
Cinematography by: Fred J. Koenekamp
Edited by: Robert Brown
Sound Re-recordist
Hot Stuff (1979)
Directed by: Dom DeLuise
Cinematography by: James Pergola
Edited by: Neil Travis
Re-recording Mixer
Players (1979)
Directed by: Anthony Harvey
Cinematography by: James Crabe
Edited by: Randy Roberts
Re-recording Mixer
The One and Only (1978)
Directed by: Carl Reiner
Cinematography by: Victor J. Kemper
Edited by: Bud Molin
Cameras: Panavision Cameras
Re-recording Mixer
The Bad News Bears Go to Japan (1978)
Directed by: John Berry
Cameras: Panavision Cameras
Preacher, Re-recording Mixer
Days of Heaven (1978)
Directed by: Terrence Malick
Cinematography by: Néstor Almendros
Edited by: Billy Weber
Cameras: Panavision Panaflex Camera
Lenses: Canon FD 55mm f1.2 AL, Panavision Lenses
Re-recording Mixer
Saturday Night Fever (1977)
Directed by: John Badham
Cinematography by: Ralf D. Bode
Edited by: David Rawlins
Cameras: Panavision Cameras
Re-recording Mixer
The Bad News Bears in Breaking Training (1977)
Directed by: Michael Pressman
Cinematography by: Fred J. Koenekamp
Edited by: John W. Wheeler
Re-recording Mixer
The Bad News Bears (1976)
Directed by: Michael Ritchie
Cinematography by: John A. Alonzo
Edited by: Richard A. Harris
Re-recording Mixer
Marathon Man (1976)
Directed by: John Schlesinger
Cinematography by: Conrad L. Hall
Edited by: Jim Clark
Cameras: Panavision Cameras
Re-recording Mixer
Chinatown (1974)
Directed by: Roman Polanski
Edited by: Sam O'Steen
Cameras: Panavision Cameras
Re-recording Mixer
Mean Streets (1973)
Directed by: Martin Scorsese
Cinematography by: Kent L. Wakeford
Edited by: Sidney Levin
Cameras: ARRIFLEX 35 BL Camera
Editing System: Moviola Editing System
Sound Recordist
Too Late Blues (1961)
Directed by: John Cassavetes
Cinematography by: Lionel Lindon
Edited by: Frank Bracht
