Matte Artist
Harley Davidson and the Marlboro Man (1991)
Directed by: Simon Wincer
Cinematography by: David Eggby
Edited by: Corky Ehlers
Cameras: Panavision Cameras
Matte Painting Crew
Dances with Wolves (1990)
Directed by: Kevin Costner
Cinematography by: Dean Semler
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Matte Artist
Field of Dreams (1989)
Directed by: Phil Alden Robinson
Cinematography by: John Lindley
Edited by: Ian Crafford
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Chief Matte Artist: Boss Film Corporation
Vibes (1988)
Directed by: Ken Kwapis
Cinematography by: John Bailey
Edited by: Carol Littleton
Chief Matte Artist: Boss
Die Hard (1988)
Directed by: John McTiernan
Cinematography by: Jan de Bont
Cameras: Panavision Panaflex Gold Camera
Lenses: Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cooke Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses, Panavision Ultra Speed MKII Lenses
Visual Effects Chief Matte Artist
Masters of the Universe (1987)
Directed by: Gary Goddard
Cinematography by: Hanania Baer
Edited by: Anne V. Coates
Chief Matte Artist: Boss Film Corporation
The Boy Who Could Fly (1986)
Directed by: Nick Castle
Edited by: Patrick Kennedy
Chief Matte Artist: EEG
Ghostbusters (1984)
Directed by: Ivan Reitman
Cinematography by: László Kovács
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Chief Matte Artist: Entertainment Effects Group
2010: The Year We Make Contact (1984)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Matte Artist: Entertainment Effects Group
Brainstorm (1983)
Directed by: Douglas Trumbull
Cinematography by: Richard Yuricich
Matte Artist: Special Photography Unit
Strange Brew (1983)
Cinematography by: Steven Poster
Edited by: Patrick McMahon
Cameras: Panavision Cameras
Matte Artist: EEG
Blade Runner (1982)
Directed by: Ridley Scott
Cinematography by: Jordan Cronenweth
Cameras: Panavision Panaflex Gold Camera
Matte Painter
My Favorite Year (1982)
Directed by: Richard Benjamin
Cinematography by: Gerald Hirschfeld
Edited by: Richard Chew
Visual Effects Artist
Cannery Row (1982)
Directed by: David S. Ward
Cinematography by: Sven Nykvist
Edited by: David Bretherton
Matte Artist
Under the Rainbow (1981)
Directed by: Steve Rash
Cinematography by: Frank Stanley
Edited by: David E. Blewitt
Matte Paintings
Star Trek: The Motion Picture (1979)
Directed by: Robert Wise
Cinematography by: Richard H. Kline
Edited by: Todd C. Ramsay
Matte Paintings
The China Syndrome (1979)
Directed by: James Bridges
Cinematography by: James Crabe
Edited by: David Rawlins
Matte Artist
Close Encounters of the Third Kind (1977)
Directed by: Steven Spielberg
Cinematography by: Vilmos Zsigmond
Edited by: Michael Kahn
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Matte Paintings
Logan's Run (1976)
Directed by: Michael Anderson
Cinematography by: Ernest Laszlo
Edited by: Bob Wyman
Cameras: ARRIFLEX Camera, Mitchell Cameras
Matte Painter
The Towering Inferno (1974)
Directed by: John Guillermin
Cinematography by: Fred J. Koenekamp
Special Photographic Effects
Soylent Green (1973)
Directed by: Richard Fleischer
Cinematography by: Richard H. Kline
Edited by: Samuel E. Beetley
Matte Painter
Ice Station Zebra (1968)
Directed by: John Sturges
Cinematography by: Daniel L. Fapp
Edited by: Ferris Webster
Cameras: Super Panavision-70 Camera
Visual Effects Artist
The Four Horsemen of the Apocalypse (1962)
Directed by: Vincente Minnelli
Cinematography by: Milton R. Krasner
Matte Painter
Please Don't Eat the Daisies (1960)
Directed by: Charles Walters
Cinematography by: Robert J. Bronner
Edited by: John McSweeney Jr.
Matte Artist
Ben-Hur (1959)
Directed by: William Wyler
Cinematography by: Robert Surtees
Cameras: MGM Camera 65 Camera
Matte Artist
North by Northwest (1959)
Directed by: Alfred Hitchcock
Cinematography by: Robert Burks
Edited by: George Tomasini
Matte Painter
Prince Valiant (1954)
Directed by: Henry Hathaway
Cinematography by: Lucien Ballard
Edited by: Robert L. Simpson
