Supervising Music Editor
Rollerball (2002)
Directed by: John McTiernan
Cinematography by: Steve Mason
Music Editor
Universal Soldier: The Return (1999)
Directed by: Mic Rodgers
Cinematography by: Mike Benson
Edited by: Peck Prior
Preview Music Editor
In Dreams (1999)
Directed by: Neil Jordan
Cinematography by: Darius Khondji
Edited by: Tony Lawson
Music Editor
Sour Grapes (1998)
Directed by: Larry David
Cinematography by: Victor Hammer
Edited by: Priscilla Nedd-Friendly
Music Editor
Selena (1997)
Directed by: Gregory Nava
Cinematography by: Edward Lachman
Edited by: Nancy Richardson
Temp Music Tracking
Most Wanted (1997)
Directed by: David Hogan
Cinematography by: Marc Reshovsky
Cameras: Panavision Cameras
Music Editor
The Juror (1996)
Directed by: Brian Gibson
Cinematography by: Jamie Anderson
Edited by: Robert M. Reitano
Music Editor
The War at Home (1996)
Directed by: Emilio Estevez
Cinematography by: Peter Levy
Edited by: Craig Bassett
Assistant Music Editor
Under Siege 2: Dark Territory (1995)
Directed by: Geoff Murphy
Cinematography by: Robbie Greenberg
Edited by: Michael Tronick
Sound Effects Editor
True Lies (1994)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Composer: Additional Music - Special Version
The Abyss (1989)
Directed by: James Cameron
Cinematography by: Mikael Salomon
Synthesizer Effects
Aliens (1986)
Directed by: James Cameron
Cinematography by: Adrian Biddle
Edited by: Ray Lovejoy
Lenses: Canon K35 Prime Lenses
Synthesized Sound Effects
The Terminator (1984)
Directed by: James Cameron
Cinematography by: Adam Greenberg
Edited by: Mark Goldblatt
Cameras: ARRIFLEX 35 BL Camera, ARRIFLEX 35 III Camera
Lenses: Zeiss Super Speed Lenses
Music Editor - 2000 Version
The Exorcist (1973)
Directed by: William Friedkin
Cinematography by: Owen Roizman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
