Megan Rumph

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Some Kind of Heaven | ShotOnWhat?

Digital Intermediate Producer

Some Kind of Heaven (2020)

Directed by: Lance Oppenheim

Cinematography by: David Bolen

Edited by: Daniel Garber, Lance Oppenheim

Cameras: ARRI ALEXA Mini Camera

Lenses: Angenieux Optimo Style 16-40 mm T2.8 Lens, Angenieux Optimo Style 30-76 mm T2.8 Lens, Zeiss Super Speed Lenses

Waves | ShotOnWhat?

Digital Intermediate Producer

Waves (2019)

Directed by: Trey Edward Shults

Cinematography by: Drew Daniels

Edited by: Isaac Hagy, Trey Edward Shults

Cameras: ARRI ALEXA Mini Camera

Uncut Gems | ShotOnWhat?

Digital Intermediate Producer

Uncut Gems (2019)

Directed by: Benny Safdie, Josh Safdie

Cinematography by: Darius Khondji

Edited by: Ronald Bronstein, Benny Safdie

Cameras: ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Cameras

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision T Series Anamorphic Lenses

Measure of a Man | ShotOnWhat?

Digital Intermediate Producer

Measure of a Man (2018)

Directed by: Jim Loach

Cinematography by: Denson Baker

Edited by: Dany Cooper

Cameras: ARRI ALEXA Camera

Lenses: Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0

Vox Lux | ShotOnWhat?

Digital Intermediate Producer

Vox Lux (2018)

Directed by: Brady Corbet

Cinematography by: Lol Crawley

Edited by: Matthew Hannam

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Lenses, Cooke S4/i Lenses, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens

Pride and Prejudice and Zombies | ShotOnWhat?

Digital Intermediate Producer

Pride and Prejudice and Zombies (2016)

Directed by: Burr Steers

Cinematography by: Remi Adefarasin

Edited by: Padraic McKinley

Lenses: Cooke S4/i Lenses

Exposed | ShotOnWhat?

Digital Intermediate Administration

Exposed (2016)

Directed by: Gee Malik Linton

Cinematography by: Trevor Forrest

Edited by: Melody London

Cameras: ARRI ALEXA Camera

Fathers and Daughters | ShotOnWhat?

Digital Intermediate Administration

Fathers & Daughters (2015)

Directed by: Gabriele Muccino

Cinematography by: Shane Hurlbut

Edited by: Alex Rodríguez

Cameras: Canon EOS-C500 Camera, Red Epic Camera

Lenses: Cooke 5/i Lenses, Cooke S4 Lenses, Leitz Summilux-C Series Lenses

Somewhere in the Middle | ShotOnWhat?

Digital Intermediate Administration

Somewhere in the Middle (2015)

Directed by: Lanre Olabisi

Cinematography by: Piero Basso

Edited by: Alex Kopit

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens

John Wick | ShotOnWhat?

Digital Intermediate Administration

John Wick (2014)

Directed by: Chad Stahelski, David Leitch

Cinematography by: Jonathan Sela

Edited by: Elísabet Ronaldsdóttir

Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera

Lenses: Cooke S4 Lenses, Hawk V-Lite Vintage´74 Lens

Cold in July | ShotOnWhat?

Digital Intermediate Administration

Cold in July (2014)

Directed by: Jim Mickle

Cinematography by: Ryan Samul

Edited by: John Paul Horstmann, Jim Mickle

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 18mm T2.0 Lens, Cooke S4 Prime 25mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens

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