Re-recording Mixer
Riding the Bullet (2004)
Directed by: Mick Garris
Cinematography by: Robert C. New
Edited by: Marshall Harvey
Sound Re-recording Mixer: Deluxe Post Production Services
The Guys (2002)
Directed by: Jim Simpson
Cinematography by: Maryse Alberti
Edited by: Sarah Flack
Cameras: Aaton Cameras, Panavision Cameras
Re-recording Mixer
Picture Claire (2001)
Directed by: Bruce McDonald
Cinematography by: Miroslaw Baszak
Edited by: Michael Pacek
Re-recording Mixer
American Psycho (2000)
Directed by: Mary Harron
Cinematography by: Andrzej Sekula
Edited by: Andrew Marcus
Foley Mixer
Requiem for a Dream (2000)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Jay Rabinowitz
Cameras: Bell & Howell Eyemo Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panastar Camera, Sony Betacam (Unknown) Camera
Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses
Editing System: Avid Editing System
Foley Recordist / Re-recording Mixer
Dusk Till Dawn 2: Texas Blood Money (1999)
Directed by: Scott Spiegel
Cinematography by: Philip Lee
Re-recording Mixer
Felicia's Journey (1999)
Directed by: Atom Egoyan
Cinematography by: Paul Sarossy
Edited by: Susan Shipton
Cameras: Panavision Panaflex Platinum Camera
Sound Re-recording Engineer
Sunshine (1999)
Directed by: István Szabó
Cinematography by: Lajos Koltai
Re-recording Mixer
Cube (1997)
Directed by: Vincenzo Natali
Cinematography by: Derek Rogers
Edited by: John Sanders
Re-recording Mixer
The Sweet Hereafter (1997)
Directed by: Atom Egoyan
Cinematography by: Paul Sarossy
Edited by: Susan Shipton
Cameras: Panavision Panaflex Gold II Camera
Re-recording Mixer
The Last Winter (1989)
Directed by: Aaron Kim Johnston
Cinematography by: Ian Elkin
Edited by: Lara Mazur
