Zach Robinson

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Get Hard | ShotOnWhat?

Score Coordinator

Get Hard (2015)

Directed by: Etan Cohen

Cinematography by: Tim Suhrstedt

Edited by: Michael L. Sale

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses

Edge of Tomorrow | ShotOnWhat?

Composer: Additional Music/score Coordinator

Edge of Tomorrow (2014)

Directed by: Doug Liman

Cinematography by: Dion Beebe

Edited by: James Herbert, Laura Jennings

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Let's Be Cops | ShotOnWhat?

Score Coordinator

Let's Be Cops (2014)

Directed by: Luke Greenfield

Cinematography by: Daryn Okada

Edited by: Bill Pankow, Jonathan Schwartz

Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Cake | ShotOnWhat?

Score Coordinator

Cake (2014)

Directed by: Daniel Barnz

Cinematography by: Rachel Morrison

Edited by: Kristina Boden, Michelle Harrison

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Good Kill | ShotOnWhat?

Score Coordinator

Good Kill (2014)

Directed by: Andrew Niccol

Cinematography by: Amir Mokri

Edited by: Zach Staenberg

R.I.P.D. | ShotOnWhat?

Score Coordinator

R.I.P.D. (2013)

Directed by: Robert Schwentke

Cinematography by: Alwin H. Küchler

Edited by: Mark Helfrich

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Master Prime Lenses

The Hangover Part III | ShotOnWhat?

Score Coordinator

The Hangover Part III (2013)

Directed by: Todd Phillips

Cinematography by: Lawrence Sher

Edited by: Jeff Groth, Debra Neil-Fisher

Cameras: ARRI ALEXA Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Internship | ShotOnWhat?

Score Coordinator

The Internship (2013)

Directed by: Shawn Levy

Cinematography by: Jonathan Brown

Edited by: Dean Zimmerman

Cameras: ARRI ALEXA Plus Camera

Runner Runner | ShotOnWhat?

Score Coordinator

Runner Runner (2013)

Directed by: Brad Furman

Cinematography by: Mauro Fiore

Edited by: Jeff McEvoy

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens

Charlie Countryman | ShotOnWhat?

Score Coordinator

Charlie Countryman (2013)

Directed by: Fredrik Bond

Cinematography by: Roman Vasyanov

Edited by: Hughes Winborne

Cameras: ARRI ALEXA Camera

Frozen | ShotOnWhat?

Score Coordinator

Frozen (2013)

Directed by: Chris Buck, Jennifer Lee

Edited by: Jeff Draheim

Telescope | ShotOnWhat?

Composer

Telescope (2013)

Directed by: Collin Davis, Matt Litwiller

Cinematography by: Travis LaBella

Edited by: Collin Davis

"Everybody Loves Raymond" Halloween Candy | ShotOnWhat?

Trick-or-Treater

'Everybody Loves Raymond' Halloween Candy (1998)

Television Episode

Directed by: Steve Zuckerman

Cinematography by: Mike Berlin

Edited by: Patricia Barnett

Everybody Loves Raymond | ShotOnWhat?

Trick-or-Treater

Everybody Loves Raymond (1996)

Television Series

Cinematography by: Mike Berlin, Alessio Gelsini Torresi, Mikel Neiers

Edited by: Patricia Barnett, George Escobar, Jerry Davis, Frank Mazzaro

Cameras: Panavision Cameras

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