Digital Intermediate Colorist
Canvas (2006)
Directed by: Joseph Greco
Cinematography by: Rob Sweeney
Edited by: Nina Kawasaki
Colorist: High Definition Mastering
Dark Water (2005)
Directed by: Walter Salles
Cinematography by: Affonso Beato
Edited by: Daniel Rezende
Colorist: High Definition Mastering
The Life Aquatic with Steve Zissou (2004)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: David Moritz
Colorist: High Definition Mastering
Ladder 49 (2004)
Directed by: Jay Russell
Cinematography by: James L. Carter
Colorist: High Definition Mastering
28 Days Later... (2002)
Directed by: Danny Boyle
Cinematography by: Anthony Dod Mantle
Edited by: Chris Gill
Cameras: ARRI Cameras, Canon XL1 Camera
Editing System: Lightworks Editing System
Colorist: High Definition Mastering
Shallow Hal (2001)
Cinematography by: Russell Carpenter
Edited by: Christopher Greenbury
Colorist: High Definition Mastering
X-Men (2000)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Colorist: High Definition Mastering
Sexy Beast (2000)
Directed by: Jonathan Glazer
Cinematography by: Ivan Bird
Cameras: ARRI ARRIFLEX Series Cameras
Lenses: ARRI Lenses
Colorist: High Definition Mastering
Brokedown Palace (1999)
Directed by: Jonathan Kaplan
Cinematography by: Newton Thomas Sigel
Telecine Colorist
My Brother's War (1997)
Directed by: James Brolin
Cinematography by: Michael K. Bucher
Colorist: Video Mastering
Turbulence (1997)
Directed by: Robert Butler
Cinematography by: Lloyd Ahern II
Edited by: John Duffy
Colorist: High Definition Mastering
Titanic (1997)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Colorist: Digitally Restored Version
The Sand Pebbles (1966)
Directed by: Robert Wise
Cinematography by: Joseph MacDonald
Edited by: William Reynolds
