Carolyn Cury

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Measure of a Man | ShotOnWhat?

Digital Intermediate Producer

Measure of a Man (2018)

Directed by: Jim Loach

Cinematography by: Denson Baker

Edited by: Dany Cooper

Cameras: ARRI ALEXA Camera

Lenses: Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0

Life Itself | ShotOnWhat?

Digital Intermediate Producer

Life Itself (2018)

Directed by: Dan Fogelman

Cinematography by: Brett Pawlak

Edited by: Julie Monroe

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses: Cooke Panchro/i Classic Lenses

My Friend Dahmer | ShotOnWhat?

Digital Intermediate Producer

My Friend Dahmer (2017)

Directed by: Marc Meyers

Cinematography by: Daniel Katz

Edited by: Jamie Kirkpatrick

Cameras: ARRI ALEXA XT Series Cameras

Lenses: Panavision Primo Anamorphic Lenses

Pride and Prejudice and Zombies | ShotOnWhat?

Digital Intermediate Producer: Light Iron

Pride and Prejudice and Zombies (2016)

Directed by: Burr Steers

Cinematography by: Remi Adefarasin

Edited by: Padraic McKinley

Lenses: Cooke S4/i Lenses

Exposed | ShotOnWhat?

Digital Intermediate Producer

Exposed (2016)

Directed by: Gee Malik Linton

Cinematography by: Trevor Forrest

Edited by: Melody London

Cameras: ARRI ALEXA Camera

Fathers and Daughters | ShotOnWhat?

Digital Intermediate Producer Assistant

Fathers & Daughters (2015)

Directed by: Gabriele Muccino

Cinematography by: Shane Hurlbut

Edited by: Alex Rodríguez

Cameras: Canon EOS-C500 Camera, Red Epic Camera

Lenses: Cooke 5/i Lenses, Cooke S4 Lenses, Leitz Summilux-C Series Lenses

The Bronze | ShotOnWhat?

Digital Intermediate Producer: Dailies

The Bronze (2015)

Directed by: Bryan Buckley

Cinematography by: Scott Henriksen

Edited by: Jay Nelson

Cameras: Red Epic Camera

Somewhere in the Middle | ShotOnWhat?

Digital Intermediate Producer

Somewhere in the Middle (2015)

Directed by: Lanre Olabisi

Cinematography by: Piero Basso

Edited by: Alex Kopit

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens

John Wick | ShotOnWhat?

Digital Intermediate Producer: Editorial

John Wick (2014)

Directed by: Chad Stahelski, David Leitch

Cinematography by: Jonathan Sela

Edited by: Elísabet Ronaldsdóttir

Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera

Lenses: Cooke S4 Lenses, Hawk V-Lite Vintage´74 Lens

Cold in July | ShotOnWhat?

Digital Intermediate Administration

Cold in July (2014)

Directed by: Jim Mickle

Cinematography by: Ryan Samul

Edited by: John Paul Horstmann, Jim Mickle

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 18mm T2.0 Lens, Cooke S4 Prime 25mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens

Kelly & Cal | ShotOnWhat?

Digital Intermediate Producer

Kelly & Cal (2014)

Directed by: Jen McGowan

Cinematography by: Philip Lott

Edited by: David Hopper

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Hawk V-Series Lenses

Editing System: Final Cut Pro Editing System

We Are What We Are | ShotOnWhat?

Digital Intermediate Administration

We Are What We Are (2013)

Directed by: Jim Mickle

Cinematography by: Ryan Samul

Edited by: Jim Mickle

Cameras: Red Epic Camera

Lenses: Red Pro Prime Lenses, Red Pro Zoom Lenses

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