On Set Dresser
Destroyer (2018)
Directed by: Karyn Kusama
Cinematography by: Julie Kirkwood
Edited by: Plummy Tucker
Cameras: ARRI ALEXA Mini Camera
Lenses: Panavision Lenses
Greensman
Wind River (2017)
Directed by: Taylor Sheridan
Cinematography by: Ben Richardson
Edited by: Gary Roach
Stand-in: John Carter
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Stand-in
Darling Companion (2012)
Directed by: Lawrence Kasdan
Cinematography by: Michael McDonough
Edited by: Carol Littleton
Deli Chef#2, On-set Dresser
Blue Door (2011)
Directed by: Sohrab Mirmont
Cinematography by: Tristan Whitman
Edited by: Sohrab Mirmont
Larry The Bartender, Lead Stand In
Waiting for Forever (2010)
Directed by: James Keach
Cinematography by: Matthew Irving
Edited by: Pamela March
Stand-in
S. Darko (2009)
Directed by: Chris Fisher
Cinematography by: Marvin V. Rush
Edited by: Kent Beyda
Cameras: Red One Camera
F.B.I. Agent
Minutemen (2008)
Directed by: Lev L. Spiro
Cinematography by: Bruce Douglas Johnson
Edited by: Mark Conte
Stage Builder
The American Mall (2008)
Directed by: Shawn Ku
Cinematography by: Matthew Williams
Edited by: Don Brochu
Cameras: Panavision Panaflex Platinum Camera
Lenses: Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
