Daniel López-Izquierdo

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Guardians of the Galaxy Vol. 2 | ShotOnWhat?

Digital Compositor: Trixter

Guardians of the Galaxy Vol. 2 (2017)

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Fred Raskin, Craig Wood

Cameras: Red Weapon Dragon Camera

Lenses: Panavision Primo 70 Lenses

Spider-Man: Homecoming | ShotOnWhat?

Compositing: Trixter , Digital Compositor: Trixter

Spider-Man: Homecoming (2017)

Directed by: Jon Watts

Cinematography by: Salvatore Totino

Edited by: Debbie Berman, Dan Lebental

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera

Lenses: Angenieux Lenses, Cooke S4/i Lenses

A Monster Calls | ShotOnWhat?

Digital Compositor - Glassworks / Digital Compositor: Glassworks Barcelona

A Monster Calls (2016)

Directed by: J.A. Bayona

Cinematography by: Oscar Faura

Edited by: Jaume Martí, Bernat Vilaplana

Cameras: ARRI ALEXA XT Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Lenses

The Impossible | ShotOnWhat?

Compositor: Fassman VFX

The Impossible (2012)

Directed by: J.A. Bayona

Cinematography by: Oscar Faura

Edited by: Elena Ruiz, Bernat Vilaplana

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Phantom HD Camera

Lenses: Zeiss Master Prime Lenses

Buried | ShotOnWhat?

Digital Compositor

Buried (2010)

Directed by: Rodrigo Cortés

Cinematography by: Eduard Grau

Edited by: Rodrigo Cortés

[Rec] 2 | ShotOnWhat?

Digital Compositor

[Rec] 2 (2009)

Directed by: Jaume Balagueró, Paco Plaza

Cinematography by: Pablo Rosso

Edited by: David Gallart

Cameras: Panasonic Cameras, Sony HDW-750 Camera

Lenses: Canon HJ11ex4.7B 4.7-52 mm f1.9

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