Eric Torres

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The Fifth Estate | ShotOnWhat?

Visual Effects Producer: The Creative Cartel

The Fifth Estate (2013)

Directed by: Bill Condon

Cinematography by: Tobias A. Schliessler

Edited by: Virginia Katz

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Zeiss Master Prime Lenses

Ted | ShotOnWhat?

Visual Effects Associate Producer: Creative-Cartel

Ted (2012)

Directed by: Seth MacFarlane

Cinematography by: Michael Barrett

Edited by: Jeff Freeman

Cameras: Panavision Genesis Camera, Sony PMW-EX3 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Priest | ShotOnWhat?

Visual Effects Coordinator

Priest (2011)

Directed by: Scott Stewart

Cinematography by: Don Burgess

Edited by: Lisa Zeno Churgin, Rebecca Weigold

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Final Destination | ShotOnWhat?

Visual Effects Coordinator

The Final Destination (2009)

Directed by: David R. Ellis

Cinematography by: Glen MacPherson

Edited by: Mark Stevens

Cameras: Sony CineAlta F23 Camera, Sony HDC-F950 Camera

Get Smart | ShotOnWhat?

Visual Effects Coordinator

Get Smart (2008)

Directed by: Peter Segal

Cinematography by: Dean Semler

Edited by: Richard Pearson

Cameras: Panavision Genesis Camera, Panavision Panastar Camera

Lenses: Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Editing System: Avid Editing System

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