Graham Churchill

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The Irishman | ShotOnWhat?

Visual Effects Production Coordinator: ILM

The Irishman (2019)

Directed by: Martin Scorsese

Cinematography by: Rodrigo Prieto

Edited by: Thelma Schoonmaker

Cameras: ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Red Digital Cinema Cameras

Editing System: Lightworks Editing System

Ready Player One | ShotOnWhat?

Visual Effects Coordinator: ILM

Ready Player One (2018)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: ARRI ALEXA Plus Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses

The Other Side of the Wind | ShotOnWhat?

Visual Effects Coordinator

The Other Side of the Wind (2018)

Directed by: Orson Welles

Cinematography by: Gary Graver

Edited by: Bob Murawski, Orson Welles

Cameras: Éclair NPR Camera

Mother! | ShotOnWhat?

Visual Effects Coordinator: ILM

Mother! (2017)

Directed by: Darren Aronofsky

Cinematography by: Matthew Libatique

Edited by: Andrew Weisblum

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 416 Camera

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