Andrew Zeller

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Knights of the Roundtable: King Arthur | ShotOnWhat?

Compositor

King Arthur: Legend of the Sword (2017)

Directed by: Guy Ritchie

Cinematography by: John Mathieson

Edited by: James Herbert

Cameras: ARRI ALEXA XT Camera

Baywatch | ShotOnWhat?

Compositor: Vitality Visual Effects

Baywatch (2017)

Directed by: Seth Gordon

Cinematography by: Eric Steelberg

Edited by: Peter S. Elliot

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Assassin's Creed | ShotOnWhat?

Compositor

Assassin's Creed (2016)

Directed by: Justin Kurzel

Cinematography by: Adam Arkapaw

Edited by: Christopher Tellefsen

Cameras: ARRI ALEXA 65 Camera

Hell or High Water | ShotOnWhat?

Roto Artist

Hell or High Water (2016)

Directed by: David Mackenzie

Cinematography by: Giles Nuttgens

Edited by: Jake Roberts

Cameras: ARRI ALEXA XT Studio Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses

Live by Night | ShotOnWhat?

Compositor

Live by Night (2016)

Directed by: Ben Affleck

Cinematography by: Robert Richardson

Edited by: William Goldenberg

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision Sphero 65 Series Lenses, Panavision Super Panavision 70 Series Lenses

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