Arnaud Malherbe

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Avengers: Endgame | ShotOnWhat?

Effects Technical Director: ILM, Effects Technical Director: Industrial Light & Magic

Avengers: Endgame (2019)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera

Lenses: Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Star Wars: Episode IX - The Rise of Skywalker | ShotOnWhat?

Effects Technical Director: ILM

Star Wars: Episode IX - The Rise of Skywalker (2019)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Stefan Grube

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Digital Lenses, Panavision Retro C Series Lenses, Panavision T Series Anamorphic Lenses

Thor: Ragnarok | ShotOnWhat?

Visual Effects Artist

Thor: Ragnarok (2017)

Directed by: Taika Waititi

Cinematography by: Javier Aguirresarobe

Edited by: Zene Baker, Joel Negron

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, Phantom Flex4K Camera

Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses, Panavision Primo V Lenses

Alien: Covenant | ShotOnWhat?

Visual Effects Artist

Alien: Covenant (2017)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Pietro Scalia

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras

Lenses: Angenieux Optimo DP Zoom Lenses, Panavision Compact Zoom Lenses, Panavision PVintage Prime Lenses

The Mummy | ShotOnWhat?

Visual Effects Artist

The Mummy (2017)

Directed by: Alex Kurtzman

Cinematography by: Ben Seresin

Edited by: Gina Hirsch, Paul Hirsch, Andrew Mondshein

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: ARRI Rental Prime 65 Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Ghost in the Shell | ShotOnWhat?

Visual Effects Artist

Ghost in the Shell (2017)

Directed by: Rupert Sanders

Cinematography by: Jess Hall

Edited by: Billy Rich, Neil Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision Sphero 65 65SP100 100mm T2.0 Lens, Panavision Sphero 65 65SP40 40mm T2.8 Lens, Panavision Sphero 65 65SP50 50mm T2.0 Lens, Panavision Sphero 65 65SP75 75mm T2.0 Lens

Suicide Squad | ShotOnWhat?

Visual Effects Artist

Suicide Squad (2016)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: John Gilroy

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Fantastic Beasts and Where to Find Them | ShotOnWhat?

Visual Effects Artist

Fantastic Beasts and Where to Find Them (2016)

Directed by: David Yates

Cinematography by: Philippe Rousselot

Edited by: Mark Day

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

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