Stephen Ritchey

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Texas Chainsaw 3D | ShotOnWhat?

Set Lighting Technician: Second Unit

Texas Chainsaw 3D (2013)

Directed by: John Luessenhop

Cinematography by: Anastas N. Michos

Edited by: Randy Bricker

Cameras: Red Epic Camera

Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens

Editing System: Avid Editing System

First Snow | ShotOnWhat?

Electrician

First Snow (2006)

Directed by: Mark Fergus

Cinematography by: Eric Alan Edwards

Edited by: Jay Cassidy

Hate Crime | ShotOnWhat?

Grip

Hate Crime (2005)

Directed by: Tommy Stovall

Cinematography by: Ian Ellis

Edited by: Darrin Navarro

Friday Night Lights | ShotOnWhat?

Rigging Grip

Friday Night Lights (2004)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Gabrielle Fasulo, Colby Parker Jr., Susan Rash, David Rosenbloom

The Alamo | ShotOnWhat?

Rigging Grip

The Alamo (2004)

Directed by: John Lee Hancock

Cinematography by: Dean Semler

Edited by: Eric L. Beason

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Rookie | ShotOnWhat?

Grip

The Rookie (2002)

Directed by: John Lee Hancock

Cinematography by: John Schwartzman

Edited by: Eric L. Beason

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

Pearl Harbor | ShotOnWhat?

Rigging Grip: Houston

Pearl Harbor (2001)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Roger Barton, Mark Goldblatt, Chris Lebenzon, Steven Rosenblum

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Dr. T and the Women | ShotOnWhat?

Grip

Dr. T & the Women (2000)

Directed by: Robert Altman

Cinematography by: Jan Kiesser

Edited by: Geraldine Peroni

Any Given Sunday | ShotOnWhat?

Grip

Any Given Sunday (1999)

Directed by: Oliver Stone

Cinematography by: Salvatore Totino

Edited by: Stuart Levy, Thomas J. Nordberg, Keith Salmon, Stuart Waks

Varsity Blues | ShotOnWhat?

Grip

Varsity Blues (1999)

Directed by: Brian Robbins

Cinematography by: Chuck Cohen

Edited by: Ned Bastille

Armageddon | ShotOnWhat?

Rigging Electrician

Armageddon (1998)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Mark Goldblatt, Chris Lebenzon, Glen Scantlebury

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Apostle | ShotOnWhat?

Grip

The Apostle (1997)

Directed by: Robert Duvall

Cinematography by: Barry Markowitz

Edited by: Stephen Mack

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Carried Away | ShotOnWhat?

Electrician

Carried Away (1996)

Directed by: Bruno Barreto

Cinematography by: Declan Quinn

Edited by: Bruce Cannon

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