Best Boy Electric
'Queen of the South' El Cuerpo de Cristo (2017)
Directed by: David Boyd
Cinematography by: John Brawley
Edited by: Priscilla Nedd-Friendly
Best Boy Electric
'Queen of the South' El Nacimiento de Bolivia (2017)
Directed by: Nick Copus
Cinematography by: John Brawley
Edited by: Briana London
Best Boy Electric
'Queen of the South' El Beso de Judas (2017)
Directed by: Ami Canaan Mann
Cinematography by: John Brawley
Edited by: Priscilla Nedd-Friendly
Best Boy Electric
'Queen of the South' Un Pacto con el Diablo (2017)
Directed by: Eduardo Sánchez
Cinematography by: John Brawley
Edited by: Matthew Philip Smith
Best Boy Electric
'Queen of the South' Dios y el Abogado (2017)
Directed by: Nick Gomez
Cinematography by: John Brawley
Edited by: Briana London
Lighting Technician
'Queen of the South' Sólo el Amor de Una Madre (2017)
Directed by: David Rodriguez
Cinematography by: John Brawley
Edited by: Matthew Philip Smith
Lighting Technician
'Queen of the South' La Última Hora Mata (2017)
Directed by: David Boyd
Cinematography by: John Brawley
Edited by: Priscilla Nedd-Friendly
Lighting Technician
'Queen of the South' Todas las Horas Hieren (2017)
Directed by: Eduardo Sánchez
Cinematography by: John Brawley
Edited by: Matthew Philip Smith
Lighting Technician
'Queen of the South' La Noche Oscura del Alma (2017)
Directed by: Tina Mabry
Cinematography by: John Brawley
Edited by: Philip Carr Neel
Lighting Technician
'Queen of the South' Que Manden los Payasos (2017)
Directed by: Loni Peristere
Cinematography by: John Brawley
Edited by: Priscilla Nedd-Friendly
Lighting Technician
'Queen of the South' Billete de Magia (2016)
Directed by: David Boyd
Cinematography by: Cameron Duncan
Edited by: Juan Carlos Garza
Lighting Technician
'Queen of the South' Cuarenta Minutos (2016)
Directed by: Matthew Penn
Cinematography by: Cameron Duncan
Edited by: Juan Carlos Garza
Lighting Technician
'Queen of the South' Coge Todo lo Que Puede Llevar (2016)
Directed by: Jamie Payne
Cinematography by: Cameron Duncan
Lighting Technician
'Queen of the South' Esta 'Cosa' Que Es Nuestra (2016)
Directed by: Scott Peters
Cinematography by: Cameron Duncan
Lighting Technician
'Queen of the South' Punto Sin Retorno (2016)
Directed by: Constantine Makris
Cinematography by: Cameron Duncan
Edited by: Juan Carlos Garza
Lighting Technician
'Queen of the South' El Hombre Pájaro (2016)
Directed by: David Platt
Cinematography by: Cameron Duncan
Edited by: Briana London
Lighting Technician
'Queen of the South' El Engaño Como la Regla (2016)
Directed by: David Rodriguez
Cinematography by: Cameron Duncan
Lighting Technician
'Queen of the South' Un Alma. Un Mapa. A Futuro (2016)
Directed by: T.J. Scott
Cinematography by: Cameron Duncan
Edited by: Juan Carlos Garza
Lighting Technician
'Queen of the South' Lirio de los Valles (2016)
Directed by: Zetna Fuentes
Cinematography by: Cameron Duncan
Edited by: Briana London
Lighting Technician
'Queen of the South' Estrategia de Entrada (2016)
Directed by: Scott Peters
Cinematography by: Cameron Duncan
Lighting Technician
'Queen of the South' Piloto (2016)
Directed by: Charlotte Sieling
Cinematography by: Alejandro Martínez
Lighting Technician
'Queen of the South' Quinientos Mil (2016)
Directed by: David Rodriguez
Cinematography by: Cameron Duncan
Lighting Technician / Best Boy Electric - 22 Episodes, 2016-2017
Queen of the South (2016)
Directed by: Eduardo Sánchez, David Boyd, David Rodriguez, Rebecca Rodriguez, Matthew Penn, Scott Peters, Nick Copus, Laura Belsey, Ben Hernandez Bray, Darren Grant, Zetna Fuentes, Constantine Makris, Jamie Payne, David Platt, T.J. Scott, Charlotte Sieling, Nick Gomez, Bronwen Hughes, Tina Mabry, Ami Canaan Mann, Joe Menendez, Loni Peristere, David Grossman, Meera Menon, Steve Acevedo, Leon Ichaso, Jessica Lowrey, Tawnia McKiernan, Batan Silva
Edited by: Matthew Philip Smith, Priscilla Nedd-Friendly, Briana London, Juan Carlos Garza, Philip Carr Neel, Nicole Brik, Amy M. Fleming, Betsy C. Thompson, Harvey Rosenstock, Benjamin Howdeshell
Lenses: Panavision PVintage 100 mm T1.6 Lens, Panavision PVintage 14 mm T1.9 Lens, Panavision PVintage 17 mm T1.9 Lens, Panavision PVintage 24 mm T1.2 Lens, Panavision PVintage 29 mm T1.2 Lens, Panavision PVintage 35 mm T1.6 Lens, Panavision PVintage 40 mm T1.3 Lens, Panavision PVintage 50 mm T1.0 Lens, Panavision PVintage 75 mm T1.6 Lens
Lighting Technician: Second Unit
Texas Chainsaw 3D (2013)
Directed by: John Luessenhop
Cinematography by: Anastas N. Michos
Edited by: Randy Bricker
Cameras: Red Epic Camera
Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens
Editing System: Avid Editing System
Rigging Electrician
The Alamo (2004)
Directed by: John Lee Hancock
Cinematography by: Dean Semler
Edited by: Eric L. Beason
Rigging Electrician
The Life of David Gale (2003)
Directed by: Alan Parker
Cinematography by: Michael Seresin
Edited by: Gerry Hambling
Lamp Operator
Miss Congeniality (2000)
Directed by: Donald Petrie
Cinematography by: László Kovács
Edited by: Billy Weber
Electrician
Dr. T & the Women (2000)
Directed by: Robert Altman
Cinematography by: Jan Kiesser
Edited by: Geraldine Peroni
Rigging Grip: Dallas
Any Given Sunday (1999)
Directed by: Oliver Stone
Cinematography by: Salvatore Totino
Additional Grip
Boys Don't Cry (1999)
Directed by: Kimberly Peirce
Cinematography by: Jim Denault
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Additional Electrician
Universal Soldier: The Return (1999)
Directed by: Mic Rodgers
Cinematography by: Mike Benson
Edited by: Peck Prior
Third Grip
Point Blank (1998)
Directed by: Matt Earl Beesley
Cinematography by: Keith L. Smith
Edited by: Edward R. Abroms
Electrician: Second Unit
Once Upon a Time in China and America (1997)
Directed by: Sammo Kam-Bo Hung
Cinematography by: Walter Gregg
Edited by: Marco Mak
