Adam Bennati

6 Titles

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Eileen | ShotOnWhat?

Music Coordinator

Eileen (2023)

Directed by: William Oldroyd

Cinematography by: Ari Wegner

Edited by: Nick Emerson

Cameras: ARRI ALEXA Mini Camera

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Bausch & Lomb Super Baltar Lenses

Measure of a Man | ShotOnWhat?

Music Coordinator

Measure of a Man (2018)

Directed by: Jim Loach

Cinematography by: Denson Baker

Edited by: Dany Cooper

Cameras: ARRI ALEXA Camera

Lenses: Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0

Can You Ever Forgive Me? | ShotOnWhat?

Music Coordinator

Can You Ever Forgive Me? (2018)

Directed by: Marielle Heller

Cinematography by: Brandon Trost

Edited by: Anne McCabe

Cameras: Panavision Millennium DXL Camera

Lenses: Panavision Primo 70 Lenses

Overboard | ShotOnWhat?

Music Coordinator

Overboard (2018)

Directed by: Rob Greenberg

Cinematography by: Michael Barrett

Edited by: Lee Haxall

Cameras: Sony PMW-F55 Camera

Lenses: Angenieux Lenses, Zeiss Master Prime Lenses

Before I Fall | ShotOnWhat?

Music Coordinator

Before I Fall (2017)

Directed by: Ry Russo-Young

Cinematography by: Michael Fimognari

Edited by: Joe Landauer

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Plus Lenses

Vampire Academy | ShotOnWhat?

Music Supervision Assistant

Vampire Academy (2014)

Directed by: Mark Waters

Cinematography by: Tony Pierce-Roberts

Edited by: Chris Gill

Cameras: ARRI ALEXA Camera

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