Paloma Garcia Martens

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Blue Is the Warmest Color | ShotOnWhat?

Costume Designer

Blue Is the Warmest Color (2013)

Directed by: Abdellatif Kechiche

Cinematography by: Sofian El Fani

Edited by: Sophie Brunet, Ghalia Lacroix, Albertine Lastera, Jean-Marie Lengelle, Camille Toubkis

Cameras: Canon EOS-C300 Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens

The Fifth Estate | ShotOnWhat?

Set Costumer

The Fifth Estate (2013)

Directed by: Bill Condon

Cinematography by: Tobias A. Schliessler

Edited by: Virginia Katz

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Zeiss Master Prime Lenses

Cloclo | ShotOnWhat?

Stand-by: Daily

Cloclo (2012)

Directed by: Florent-Emilio Siri

Cinematography by: Giovanni Fiore Coltellacci

Edited by: Olivier Gajan

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Largo Winch II | ShotOnWhat?

Daily

Largo Winch II (2011)

Directed by: Jérôme Salle

Cinematography by: Denis Rouden

Edited by: Stan Collet

Cameras: ARRICAM Lite (LT) Camera, Canon EOS-5D Mark II Camera

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