Christophe Hustache-Marmon

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At Eternity's Gate | ShotOnWhat?

Digital Imaging Technician

At Eternity's Gate (2018)

Directed by: Julian Schnabel

Cinematography by: Benoît Delhomme

Edited by: Louise Kugelberg, Julian Schnabel

Cameras: Red Helium (Weapon) 8K

Lenses: Kowa Cine Prominar 20mm T2.3 Lens, Kowa Cine Prominar 25mm T2.3 Lens, Kowa Cine Prominar 32mm T2.3 Lens, Kowa Cine Prominar Spherical Lenses

Collision | ShotOnWhat?

Digital Imaging Technician

Collision (2013)

Directed by: David Marconi

Cinematography by: Thomas Hardmeier

Edited by: Julien Rey

Cameras: ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, GoPro HD Hero2 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Leitz Summilux-C Series Lenses, Zeiss Compact Prime Lenses

Les gamins | ShotOnWhat?

Digital Imaging Technician

Les gamins (2013)

Directed by: Anthony Marciano

Cinematography by: Jean-Paul Agostini

Edited by: Virginie Bruant, Samuel Danési

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Amour | ShotOnWhat?

Digital Imaging Technician

Amour (2012)

Directed by: Michael Haneke

Cinematography by: Darius Khondji

Edited by: Nadine Muse, Monika Willi

Cameras: ARRI ALEXA Camera

Lenses: Cooke 5/i Lenses, Cooke S4 Lenses

Leila | ShotOnWhat?

Digital Imaging Technician

Leila (2010)

Directed by: Audrey Estrougo

Cinematography by: Guillaume Schiffman

Edited by: Sophie Reine

Cameras: ARRIFLEX D-21 Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

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