Jonathan Brabant

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Dailies Operator

The Killer (2023)

Motion Picture

Directed by: David Fincher

Cinematography by: Erik Messerschmidt

Edited by: Kirk Baxter

Lenses: Fujinon Premier Lenses, Leitz Summilux-C Series Lenses

Editing System: Adobe Premiere Editing System

Dailies Operator

'Lupin' Chapter 10 (2021)

Television Episode

Directed by: Hugo Gélin

Edited by: Vincent Tabaillon

Dailies Operator - 6 Episodes, 2021-2023

Lupin (2021)

Television Series

Directed by: Ludovic Bernard, Louis Leterrier, Hugo Gélin, Xavier Gens, Daniel Grou, Marcela Said

Cinematography by: Christophe Nuyens, Maxime Cointe, Nicolas Massart, Martial Schmeltz

Edited by: Jean-Daniel Fernandez Qundez, Audrey Simonaud, Romain Rioult, Richard Marizy, Matthilde Carlier, Vincent Tabaillon

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses: P+S Technik TECHNOVISION 1.5x 100 mm T2.5 Lens, P+S Technik TECHNOVISION 1.5x 135 mm T2.5 Lens, P+S Technik TECHNOVISION 1.5x 40 mm T2.2 Lens, P+S Technik TECHNOVISION 1.5x 40-70 mm T3.2 Lens, P+S Technik TECHNOVISION 1.5x 50 mm T2.2 Lens, P+S Technik TECHNOVISION 1.5x 75 mm T2.5 Lens

Dailies Operator

'Lupin' Chapter 6 (2021)

Television Episode

Directed by: Ludovic Bernard

Cinematography by: Martial Schmeltz

Edited by: Romain Rioult

Dailies Operator

'Lupin' Chapter 7 (2021)

Television Episode

Directed by: Ludovic Bernard

Cinematography by: Martial Schmeltz

Edited by: Audrey Simonaud

Dailies Operator

'Lupin' Chapter 8 (2021)

Television Episode

Directed by: Hugo Gélin

Dailies Operator

'Lupin' Chapter 9 (2021)

Television Episode

Directed by: Hugo Gélin

Edited by: Audrey Simonaud

Post-production Assistant: Dailies

L'effet aquatique (2016)

Motion Picture

Directed by: Sólveig Anspach, Jean-Luc Gaget

Cinematography by: Isabelle Razavet

Edited by: Anne Riegel

Cameras: ARRI ALEXA Series Cameras

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens

"The Returned" Madame Costa | ShotOnWhat?

Colorist: Dailies

'The Returned' Madame Costa (2015)

Television Episode

Directed by: Fabrice Gobert, Frédéric Goupil

Cinematography by: Patrick Blossier

Edited by: Bertrand Nail

Colorist: Dailies

'The Returned' L'enfant (2015)

Television Episode

Directed by: Fabrice Gobert, Frédéric Goupil

Cinematography by: Patrick Blossier

Edited by: Bertrand Nail

Colorist: Dailies

'The Returned' Milan (2015)

Television Episode

Directed by: Fabrice Gobert, Frédéric Goupil

Cinematography by: Patrick Blossier

Edited by: Gwen Mallauran

Colorist: Dailies

'The Returned' Morgane (2015)

Television Episode

Directed by: Fabrice Gobert, Frédéric Goupil

Cinematography by: Patrick Blossier

Edited by: Bertrand Nail

Colorist: Dailies

'The Returned' Virgil (2015)

Television Episode

Directed by: Fabrice Gobert, Frédéric Goupil

Cinematography by: Patrick Blossier

Edited by: Gwen Mallauran

Colorist: Dailies

'The Returned' Esther (2015)

Television Episode

Directed by: Fabrice Gobert, Frédéric Goupil

Cinematography by: Patrick Blossier

Edited by: Peggy Koretzky

Colorist: Dailies

'The Returned' Etienne (2015)

Television Episode

Directed by: Fabrice Gobert, Frédéric Goupil

Cinematography by: Patrick Blossier

Edited by: Bertrand Nail

"The Returned" Les Revenants | ShotOnWhat?

Colorist: Dailies

'The Returned' Les Revenants (2015)

Television Episode

Directed by: Fabrice Gobert, Frédéric Goupil

Cinematography by: Patrick Blossier

Edited by: Peggy Koretzky

Post-production Assistant: Dailies

Métamorphoses (2014)

Motion Picture

Directed by: Christophe Honoré

Cinematography by: André Chemetoff

Edited by: Chantal Hymans

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses

Les yeux jaunes des crocodiles | ShotOnWhat?

Post-production Assistant: Dailies

Les yeux jaunes des crocodiles (2014)

Motion Picture

Directed by: Cécile Telerman

Cinematography by: Colin Houben, Pascal Ridao

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

Post-production Assistant: Dailies

Respire (2014)

Motion Picture

Directed by: Mélanie Laurent

Cinematography by: Arnaud Potier

Edited by: Guerric Catala

Cameras: ARRI ALEXA Camera

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Canon K35 Prime Lenses

Colorist Assistant / Post-production Coordinator

Les salauds (2013)

Motion Picture

Directed by: Claire Denis

Cinematography by: Agnès Godard

Edited by: Annette Dutertre

Cameras: Red Epic Camera

Lenses: Angenieux HEC Zoom Lenses, Angenieux Optimo 28-76 mm T2.6 Lens

Colorist: Dailies

L'écume des jours (2013)

Motion Picture

Directed by: Michel Gondry

Cinematography by: Christophe Beaucarne

Edited by: Marie-Charlotte Moreau

Cameras: Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Colorist: Dailies

'The Returned' La horde (2012)

Television Episode

Directed by: Fabrice Gobert, Frédéric Mermoud

Cinematography by: Patrick Blossier

Edited by: Mike Fromentin

Colorist: Dailies

'The Returned' Camille (2012)

Television Episode

Directed by: Fabrice Gobert

Cinematography by: Patrick Blossier

Edited by: Peggy Koretzky

Colorist: Dailies

'The Returned' Simon (2012)

Television Episode

Directed by: Fabrice Gobert

Cinematography by: Patrick Blossier

Edited by: Bertrand Nail

Colorist: Dailies

'The Returned' Julie (2012)

Television Episode

Directed by: Fabrice Gobert

Cinematography by: Patrick Blossier

Edited by: Peggy Koretzky

Colorist: Dailies

'The Returned' Victor (2012)

Television Episode

Directed by: Fabrice Gobert

Cinematography by: Patrick Blossier

Edited by: Bertrand Nail

"The Returned" Serge et Toni | ShotOnWhat?

Colorist: Dailies

'The Returned' Serge et Toni (2012)

Television Episode

Directed by: Frédéric Mermoud

Cinematography by: Patrick Blossier

Edited by: Mike Fromentin

Colorist: Dailies

'The Returned' Lucy (2012)

Television Episode

Directed by: Frédéric Mermoud

Cinematography by: Patrick Blossier

Edited by: Laurence Bawedin

Colorist: Dailies

'The Returned' Adèle (2012)

Television Episode

Directed by: Frédéric Mermoud

Cinematography by: Patrick Blossier

Edited by: Laurence Bawedin

Colorist: Dailies

Main dans la main (2012)

Motion Picture

Directed by: Valérie Donzelli

Cinematography by: Sébastien Buchmann

Edited by: Pauline Gaillard

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Colorist: Dailies - 16 Episodes, 2012-2015

The Returned (2012)

Television Series

Directed by: Fabrice Gobert, Frédéric Goupil, Frédéric Mermoud

Cinematography by: Patrick Blossier

Edited by: Bertrand Nail, Peggy Koretzky, Laurence Bawedin, Mike Fromentin, Gwen Mallauran

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Dailies Operator

'Lupin' Episode #3.1 (0)

Television Episode

Edited by: Jean-Daniel Fernandez Qundez

20254.20

Jonathan Brabant

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Dailies Operator

Dailies Operator

Dailies Operator - 6 Episodes, 2021-2023

Dailies Operator

Dailies Operator

Dailies Operator

Dailies Operator

Post-production Assistant: Dailies

Colorist: Dailies

Colorist: Dailies

Colorist: Dailies

Colorist: Dailies

Colorist: Dailies

Colorist: Dailies

Colorist: Dailies

Colorist: Dailies

Post-production Assistant: Dailies

Post-production Assistant: Dailies

Post-production Assistant: Dailies

Colorist Assistant / Post-production Coordinator

Colorist: Dailies

Colorist: Dailies

Colorist: Dailies

Colorist: Dailies

Colorist: Dailies

Colorist: Dailies

Colorist: Dailies

Colorist: Dailies

Colorist: Dailies

Colorist: Dailies

Colorist: Dailies - 16 Episodes, 2012-2015

Dailies Operator