Per Dybdal Jensen

7 Titles

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Nymphomaniac: Vol. I | ShotOnWhat?

Sound Assistant

Nymphomaniac: Vol. I (2013)

Directed by: Lars von Trier

Cinematography by: Manuel Alberto Claro

Edited by: Morten Højbjerg, Jacob Secher Schulsinger, Molly Malene Stensgaard

Cameras: ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Lenses

Jagten | ShotOnWhat?

Post Sound Assistant

The Hunt (2012)

Directed by: Thomas Vinterberg

Cinematography by: Charlotte Bruus Christensen

Edited by: Janus Billeskov Jansen, Anne Østerud

Cameras: ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Cooke Speed Panchro Lenses, Fujinon Alura Zoom 45-250 mm T2.8 Lens

Melancholia | ShotOnWhat?

Sound Assistant

Melancholia (2011)

Directed by: Lars von Trier

Cinematography by: Manuel Alberto Claro

Edited by: Molly Malene Stensgaard

Cameras: ARRI ALEXA Camera, Phantom HD Gold Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Container | ShotOnWhat?

Sound Recordist

Container (2006)

Directed by: Lukas Moodysson

Cinematography by: Jesper Kurlandsky, Lukas Moodysson, Åsa Staffansson

Edited by: Jesper Kurlandsky, Lukas Moodysson, Andreas Nilsson

Manderlay | ShotOnWhat?

Sound Assistant

Manderlay (2005)

Directed by: Lars von Trier

Cinematography by: Anthony Dod Mantle

Edited by: Molly Malene Stensgaard

Dear Wendy | ShotOnWhat?

Sound Assistant

Dear Wendy (2005)

Directed by: Thomas Vinterberg

Cinematography by: Anthony Dod Mantle

Edited by: Mikkel E.G. Nielsen

It's All About Love | ShotOnWhat?

Assistant To Sound Designer

It's All About Love (2003)

Directed by: Thomas Vinterberg

Cinematography by: Anthony Dod Mantle

Edited by: Valdís Óskarsdóttir

Cameras: Moviecam Superlight Camera

Lenses: Zeiss Lenses, Zeiss Ultra Prime Lenses

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