Production Designer
Eyes Wide Shut (1999)
Directed by: Stanley Kubrick
Cinematography by: Larry Smith
Edited by: Nigel Galt
Production Designer
The Talented Mr. Ripley (1999)
Directed by: Anthony Minghella
Cinematography by: John Seale
Edited by: Walter Murch
Cameras: Panavision Panaflex Platinum Camera
Production Designer
Dirty Rotten Scoundrels (1988)
Directed by: Frank Oz
Cinematography by: Michael Ballhaus
Production Designer
Good Morning, Vietnam (1987)
Directed by: Barry Levinson
Cinematography by: Peter Sova
Edited by: Stu Linder
Cameras: Panavision Cameras
Production Designer
Little Shop of Horrors (1986)
Directed by: Frank Oz
Cinematography by: Robert Paynter
Production Designer
The Killing Fields (1984)
Directed by: Roland Joffé
Cinematography by: Chris Menges
Edited by: Jim Clark
Production Designer
The Shining (1980)
Directed by: Stanley Kubrick
Cinematography by: John Alcott
Edited by: Ray Lovejoy
Cameras: ARRIFLEX 35 BL Camera
Art Director
Russian Roulette (1975)
Directed by: Lou Lombardo
Cinematography by: Brian West
Edited by: Richard Marden
Art Director
Barry Lyndon (1975)
Directed by: Stanley Kubrick
Cinematography by: John Alcott
Edited by: Tony Lawson
Cameras: ARRIFLEX 35 BL Camera, Mitchell BNC Camera
Assistant Art Director
Diamonds Are Forever (1971)
Directed by: Guy Hamilton
Cinematography by: Ted Moore
Art Director
Ryan's Daughter (1970)
Directed by: David Lean
Cinematography by: Freddie Young
Edited by: Norman Savage
Cameras: Super Panavision-70 Camera
Lenses: Panavision Lenses
Assistant Art Director
Oliver! (1968)
Directed by: Carol Reed
Cinematography by: Oswald Morris
Edited by: Ralph Kemplen
Cameras: Panasonic Cameras
Assistant Art Director
A Man for All Seasons (1966)
Directed by: Fred Zinnemann
Cinematography by: Ted Moore
Edited by: Ralph Kemplen
Assistant Art Director
Doctor Zhivago (1965)
Directed by: David Lean
Cinematography by: Freddie Young
Edited by: Norman Savage
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Draughtsman
Lawrence of Arabia (1962)
Directed by: David Lean
Cinematography by: Freddie Young
Edited by: Anne V. Coates
Cameras: Super Panavision-70 Camera
