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The A-Team | ShotOnWhat?

Signwriter

The A-Team (2010)

Directed by: Joe Carnahan

Cinematography by: Mauro Fiore

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Imaginarium of Doctor Parnassus | ShotOnWhat?

Scenic Artist: Vancouver

The Imaginarium of Doctor Parnassus (2009)

Directed by: Terry Gilliam

Cinematography by: Nicola Pecorini

Edited by: Mick Audsley

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 35 BL3 Camera, ARRIFLEX 435 Xtreme Camera

Lenses: Zeiss Ultra Prime Lenses

Aliens vs. Predator: Requiem | ShotOnWhat?

Scenic Artist

Aliens vs. Predator: Requiem (2007)

Directed by: Colin Strause, Greg Strause

Cinematography by: Daniel Pearl

Edited by: Dan Zimmerman

Elf | ShotOnWhat?

Signwriter

Elf (2003)

Directed by: Jon Favreau

Cinematography by: Greg Gardiner

Edited by: Dan Lebental

Cameras: Panavision Cameras

Lenses: Panavision SL27-M 27 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens

Final Destination 2 | ShotOnWhat?

Scenic Artist

Final Destination 2 (2003)

Directed by: David R. Ellis

Cinematography by: Gary Capo

Edited by: Eric A. Sears

Cameras: Panavision Cameras

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