Dominique Bandet

7 Titles

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The Search | ShotOnWhat?

Production Coordinator

The Search (2014)

Directed by: Michel Hazanavicius

Cinematography by: Guillaume Schiffman

Edited by: Anne-Sophie Bion, Michel Hazanavicius

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses

Pour une femme | ShotOnWhat?

Production Coordinator

Pour une femme (2013)

Directed by: Diane Kurys

Cinematography by: Gilles Henry

Edited by: Sylvie Gadmer

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Moviecam Compact MK2 Camera

Lenses: Angenieux HR Zoom Lenses, Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Mesrine Part 2: Public Enemy #1 | ShotOnWhat?

Production Secretary

Mesrine Part 2: Public Enemy #1 (2008)

Directed by: Jean-François Richet

Cinematography by: Robert Gantz

Edited by: Stéphane Garnier, Bill Pankow, Hervé Schneid

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Cameras, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

Mesrine Part 1: Killer Instinct | ShotOnWhat?

Production Secretary

Mesrine Part 1: Killer Instinct (2008)

Directed by: Jean-François Richet

Cinematography by: Robert Gantz

Edited by: Stéphane Garnier, Hervé Schneid

Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Anamorphic Lenses

Sometimes in April | ShotOnWhat?

Production Secretary

Sometimes in April (2005)

Television Movie

Directed by: Raoul Peck

Cinematography by: Éric Guichard

Edited by: Jacques Comets

Double zéro | ShotOnWhat?

Production Secretary

Double zéro (2004)

Directed by: Gérard Pirès

Cinematography by: Denis Rouden

Edited by: Véronique Lange

Demonlover | ShotOnWhat?

Production Assistant

Demonlover (2002)

Directed by: Olivier Assayas

Cinematography by: Denis Lenoir

Edited by: Luc Barnier

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