Ron Quelch

19 Titles

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The World Is Not Enough | ShotOnWhat?

Buyer

The World Is Not Enough (1999)

Directed by: Michael Apted

Cinematography by: Adrian Biddle

Edited by: Jim Clark

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Gold Camera

Lenses: Panavision C Series Anamorphic Lenses

Tomorrow Never Dies | ShotOnWhat?

Buyer

Tomorrow Never Dies (1997)

Directed by: Roger Spottiswoode

Cinematography by: Robert Elswit

Edited by: Michel Arcand, Dominique Fortin

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

GoldenEye | ShotOnWhat?

Production Buyer

GoldenEye (1995)

Directed by: Martin Campbell

Cinematography by: Phil Meheux

Edited by: Terry Rawlings

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 35 IIIC Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Cooke Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System, Moviola Editing System, Steenbeck Editing System

The Taking of Beverly Hills | ShotOnWhat?

Prop Buyer

The Taking of Beverly Hills (1991)

Directed by: Sidney J. Furie

Cinematography by: Frank E. Johnson

Edited by: Antony Gibbs

Licence to Kill | ShotOnWhat?

Production Buyer

Licence to Kill (1989)

Directed by: John Glen

Cinematography by: Alec Mills

Edited by: John Grover

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Little Shop of Horrors | ShotOnWhat?

Production Buyer: UK

Little Shop of Horrors (1986)

Directed by: Frank Oz

Cinematography by: Robert Paynter

Edited by: Gillian L. Hutshing, John Jympson

A View to a Kill | ShotOnWhat?

Production Buyer

A View to a Kill (1985)

Directed by: John Glen

Cinematography by: Alan Hume

Edited by: Peter Davies

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera

Lenses: Panavision E Series Anamorphic Lenses

The Killing Fields | ShotOnWhat?

Production Buyer

The Killing Fields (1984)

Directed by: Roland Joffé

Cinematography by: Chris Menges

Edited by: Jim Clark

Octopussy | ShotOnWhat?

Production Buyer

Octopussy (1983)

Directed by: John Glen

Cinematography by: Alan Hume

Edited by: Peter Davies, Henry Richardson

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Camera, Panavision Panaflex Gold Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

For Your Eyes Only | ShotOnWhat?

Buyer

For Your Eyes Only (1981)

Directed by: John Glen

Cinematography by: Alan Hume

Edited by: John Grover

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Camera, Panavision Panaflex Gold Camera, Panavision Panaflex-X Camera

Lenses: Cooke Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Great Train Robbery | ShotOnWhat?

Property Buyer

The Great Train Robbery (1978)

Directed by: Michael Crichton

Cinematography by: Geoffrey Unsworth

Edited by: David Bretherton, Peter Elliott

The Seven-Per-Cent Solution | ShotOnWhat?

Production Buyer

The Seven-Per-Cent Solution (1976)

Directed by: Herbert Ross

Cinematography by: Oswald Morris

Edited by: Chris Barnes

Live and Let Die | ShotOnWhat?

Production Buyer

Live and Let Die (1973)

Directed by: Guy Hamilton

Cinematography by: Ted Moore

Edited by: Bert Bates, Raymond Poulton, John Shirley

Cameras: ARRIFLEX 35 IIC Camera, Panavision Super PSR R-200

Lenses: Panavision Super Speed Lenses

Diamonds Are Forever | ShotOnWhat?

Production Buyer

Diamonds Are Forever (1971)

Directed by: Guy Hamilton

Cinematography by: Ted Moore

Edited by: Bert Bates, John W. Holmes

Cameras: ARRIFLEX 35 IIA Camera, Panavision Super PSR R-200

Lenses: Panavision C Series Anamorphic Lenses, Panavision Lenses

You Only Live Twice | ShotOnWhat?

Production Buyer

You Only Live Twice (1967)

Directed by: Lewis Gilbert

Cinematography by: Freddie Young

Edited by: Thelma Connell

Cameras: Mitchell BNC Camera

Lenses: Panavision C Series Anamorphic Lenses

Thunderball | ShotOnWhat?

Production Buyer

Thunderball (1965)

Directed by: Terence Young

Cinematography by: Ted Moore

Edited by: Ernest Hosler

Cameras: ARRIFLEX 35 IIA Camera, Mitchell BNC Camera

Lenses: Panavision B Series Anamorphic Lenses

Goldfinger | ShotOnWhat?

Production Buyer

Goldfinger (1964)

Directed by: Guy Hamilton

Cinematography by: Ted Moore

Edited by: Peter R. Hunt

Cameras: Mitchell BNC Camera

From Russia with Love | ShotOnWhat?

Production Buyer

From Russia with Love (1963)

Directed by: Terence Young

Cinematography by: Ted Moore

Edited by: Peter R. Hunt

Cameras: Mitchell BNC Camera

Dr. No | ShotOnWhat?

Production Buyer

Dr. No (1962)

Directed by: Terence Young

Cinematography by: Ted Moore

Edited by: Peter R. Hunt

Cameras: Mitchell BNC Camera

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