Key Hair Stylist / Key Makeup Artist
The Happy Prince (2018)
Directed by: Rupert Everett
Cinematography by: John Conroy
Edited by: Nicolas Gaster
Wigmaker
I'm Off Then (2015)
Directed by: Julia von Heinz
Cinematography by: Felix Poplawsky
Lenses: Fujinon Alura Zoom 45-250 mm T2.8 Lens, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens, Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 35 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Distagon 14 mm T1.9 Lens
Wig Stylist
A Dangerous Method (2011)
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Lenses: Cooke S4 Lenses
Makeup Department Head
Dresden (2006)
Directed by: Roland Suso Richter
Cinematography by: Holly Fink
Edited by: Bernd Schlegel
Key Hair Stylist
Boat Trip (2002)
Directed by: Mort Nathan
Cinematography by: Shawn Maurer
Edited by: John Axness
