Marc Hirschfeld

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Reservation Road | ShotOnWhat?

First Assistant Camera: "b" Camera

Reservation Road (2007)

Directed by: Terry George

Cinematography by: John Lindley

Edited by: Naomi Geraghty

The Terminal | ShotOnWhat?

First Assistant Camera: New York

The Terminal (2004)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Brown Sugar | ShotOnWhat?

Steadicam Assistant

Brown Sugar (2002)

Directed by: Rick Famuyiwa

Cinematography by: Jeff Barnett, Enrique Chediak

Edited by: Dirk Westervelt

Pollock | ShotOnWhat?

Steadicam First Assistant Camera

Pollock (2000)

Directed by: Ed Harris

Cinematography by: Lisa Rinzler

Edited by: Kathryn Himoff

Cameras: Aaton Cameras, Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Primes Spherical Lenses

In Dreams | ShotOnWhat?

First Assistant Camera: "b" Camera

In Dreams (1999)

Directed by: Neil Jordan

Cinematography by: Darius Khondji

Edited by: Tony Lawson

Dogma | ShotOnWhat?

First Assistant Camera: Second Unit

Dogma (1999)

Directed by: Kevin Smith

Cinematography by: Robert D. Yeoman

Edited by: Scott Mosier, Kevin Smith

Rounders | ShotOnWhat?

Steadicam Assistant

Rounders (1998)

Directed by: John Dahl

Cinematography by: Jean-Yves Escoffier

Edited by: Scott Chestnut

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Kiss the Girls | ShotOnWhat?

First Assistant Camera: Second Unit

Kiss the Girls (1997)

Directed by: Gary Fleder

Cinematography by: Aaron Schneider

Edited by: Armen Minasian, Harvey Rosenstock, William Steinkamp

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Lightworks Editing System

American Buffalo | ShotOnWhat?

Steadicam Assistant

American Buffalo (1996)

Directed by: Michael Corrente

Cinematography by: Richard Crudo

Edited by: Kate Sanford

Clockers | ShotOnWhat?

Additional First Assistant Camera

Clockers (1995)

Directed by: Spike Lee

Cinematography by: Malik Hassan Sayeed

Edited by: Sam Pollard

Cameras: ARRIFLEX 535 Camera, Moviecam Compact Camera

Lenses: Angenieux HR Zoom Lenses, Zeiss Super Speed Lenses

The Hudsucker Proxy | ShotOnWhat?

Steadicam Assistant

The Hudsucker Proxy (1994)

Directed by: Joel Coen, Ethan Coen

Cinematography by: Roger Deakins

Edited by: Thom Noble

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 535 Camera

Lenses: Zeiss Lenses

Memphis | ShotOnWhat?

Steadicam Assistant

Memphis (1992)

Television Movie

Directed by: Yves Simoneau

Cinematography by: Elliot Davis

Edited by: Debra Neil-Fisher

Lean on Me | ShotOnWhat?

First Assistant Camera

Lean on Me (1989)

Directed by: John G. Avildsen

Cinematography by: Victor Hammer

Edited by: John G. Avildsen, John Carter

Birdy | ShotOnWhat?

Assistant Cameraman: Local 644

Birdy (1984)

Directed by: Alan Parker

Cinematography by: Michael Seresin

Edited by: Gerry Hambling

Cameras: Panavision Cameras

My Favorite Year | ShotOnWhat?

First Assistant Cameraman

My Favorite Year (1982)

Directed by: Richard Benjamin

Cinematography by: Gerald Hirschfeld

Edited by: Richard Chew

Neighbors | ShotOnWhat?

First Assistant Camera

Neighbors (1981)

Directed by: John G. Avildsen

Cinematography by: Gerald Hirschfeld

Edited by: Jane Kurson

Cameras: Panavision Cameras

Dressed to Kill | ShotOnWhat?

Assistant Camera

Dressed to Kill (1980)

Directed by: Brian De Palma

Cinematography by: Ralf D. Bode

Edited by: Gerald B. Greenberg

Coal Miner's Daughter | ShotOnWhat?

Camera Assistant

Coal Miner's Daughter (1980)

Directed by: Michael Apted

Cinematography by: Ralf D. Bode

Edited by: Arthur Schmidt

Rich Kids | ShotOnWhat?

First Assistant Camera

Rich Kids (1979)

Directed by: Robert M. Young

Cinematography by: Ralf D. Bode

Edited by: Edward Beyer

Cameras: Panavision Cameras

Slow Dancing in the Big City | ShotOnWhat?

Additional Focus Puller

Slow Dancing in the Big City (1978)

Directed by: John G. Avildsen

Cinematography by: Ralf D. Bode

Edited by: John G. Avildsen

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