Legal Counsel: Chockstone Pictires/Nick Wechsler Prouctions
The Host (2013)
Directed by: Andrew Niccol
Cinematography by: Roberto Schaefer
Edited by: Thomas J. Nordberg
Cameras: ARRI ALEXA Camera
Legal: A Band Apart
Django Unchained (2012)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Legal Services
A Price Above Rubies (1998)
Directed by: Boaz Yakin
Cinematography by: Adam Holender
Edited by: Arthur Coburn
Legal: A Band Apart, Lichter, Grossman, Nichols & Adler Inc.
Jackie Brown (1997)
Directed by: Quentin Tarantino
Cinematography by: Guillermo Navarro
Edited by: Sally Menke
Cameras: Moviecam Compact Camera
Lenses: Zeiss Super Speed Lenses
Legal: A Band Apart
Good Will Hunting (1997)
Directed by: Gus Van Sant
Cinematography by: Jean-Yves Escoffier
Edited by: Pietro Scalia
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Legal: A Band Apart
White Man's Burden (1995)
Directed by: Desmond Nakano
Cinematography by: Willy Kurant
Edited by: Nancy Richardson
Legal: A Band Apart
Four Rooms (1995)
Production Attorney
Love and a .45 (1994)
Directed by: C.M. Talkington
Cinematography by: Tom Richmond
Edited by: Bob Ducsay
Production Legal Services
Pulp Fiction (1994)
Directed by: Quentin Tarantino
Cinematography by: Andrzej Sekula
Edited by: Sally Menke
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses
Editing System: Lightworks Editing System
Legal Services
Reservoir Dogs (1992)
Directed by: Quentin Tarantino
Cinematography by: Andrzej Sekula
Edited by: Sally Menke
