Charles Myers

18 Titles

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The Public Eye | ShotOnWhat?

First Assistant Director

The Public Eye (1992)

Directed by: Howard Franklin

Cinematography by: Peter Suschitzky

Edited by: Evan A. Lottman, Conrad M. Gonzalez

Dracula | ShotOnWhat?

First Assistant Director: Second Unit

Dracula (1992)

Directed by: Francis Ford Coppola

Cinematography by: Michael Ballhaus

Edited by: Anne Goursaud, Glen Scantlebury, Nicholas C. Smith

Cameras: ARRIFLEX 535 Camera

Wild at Heart | ShotOnWhat?

First Assistant Director

Wild at Heart (1990)

Directed by: David Lynch

Cinematography by: Frederick Elmes

Edited by: Duwayne Dunham

Young Guns | ShotOnWhat?

First Assistant Director

Young Guns (1988)

Directed by: Christopher Cain

Cinematography by: Dean Semler

Edited by: Jack Hofstra

The Milagro Beanfield War | ShotOnWhat?

First Assistant Director

The Milagro Beanfield War (1988)

Directed by: Robert Redford

Cinematography by: Robbie Greenberg

Edited by: Dede Allen, Jim Miller

Swing Shift | ShotOnWhat?

First Assistant Director

Swing Shift (1984)

Directed by: Jonathan Demme

Cinematography by: Tak Fujimoto

Edited by: Craig McKay

Stop Making Sense | ShotOnWhat?

Production Manager

Stop Making Sense (1984)

Directed by: Jonathan Demme

Cinematography by: Jordan Cronenweth

Edited by: Lisa Day

No Small Affair | ShotOnWhat?

First Assistant Director

No Small Affair (1984)

Directed by: Jerry Schatzberg

Cinematography by: Vilmos Zsigmond

Edited by: Priscilla Nedd-Friendly, Eve Newman, Melvin Shapiro

The Right Stuff | ShotOnWhat?

First Assistant Director

The Right Stuff (1983)

Directed by: Philip Kaufman

Cinematography by: Caleb Deschanel

Edited by: Glenn Farr, Lisa Fruchtman, Tom Rolf, Stephen A. Rotter, Douglas Stewart

Let's Spend the Night Together | ShotOnWhat?

First Assistant Director

Let's Spend the Night Together (1982)

Directed by: Hal Ashby

Cinematography by: Caleb Deschanel, Gerald Feil

Edited by: Lisa Day

Taps | ShotOnWhat?

First Assistant Director: Second Unit

Taps (1981)

Directed by: Harold Becker

Cinematography by: Owen Roizman

Edited by: Maury Winetrobe

Cameras: Panavision Cameras

Borderline | ShotOnWhat?

First Assistant Director

Borderline (1980)

Directed by: Jerrold Freedman

Cinematography by: Tak Fujimoto

Edited by: John F. Link

Cameras: Panavision Cameras

1941 | ShotOnWhat?

Unit Production Manager

1941 (1979)

Directed by: Steven Spielberg

Cinematography by: William A. Fraker

Edited by: Michael Kahn

Cameras: Panavision Panaflex Series Cameras

Lenses: Panavision C Series Anamorphic Lenses

Coming Home | ShotOnWhat?

First Assistant Director

Coming Home (1978)

Directed by: Hal Ashby

Cinematography by: Haskell Wexler

Edited by: Don Zimmerman

Close Encounters of the Third Kind | ShotOnWhat?

Assistant Director

Close Encounters of the Third Kind (1977)

Directed by: Steven Spielberg

Cinematography by: Vilmos Zsigmond

Edited by: Michael Kahn

Cameras: Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Camera, Panavision Super PSR R-200

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision Lenses

Bound for Glory | ShotOnWhat?

First Assistant Director

Bound for Glory (1976)

Directed by: Hal Ashby

Cinematography by: Haskell Wexler

Edited by: Pembroke J. Herring, Robert C. Jones

Cameras: ARRIFLEX 35 BL Camera, Éclair Caméflex Camera, Panavision Panaflex Camera

Lenses: Panavision Lenses

Smile | ShotOnWhat?

Second Assistant Director

Smile (1975)

Directed by: Michael Ritchie

Cinematography by: Conrad L. Hall

Edited by: Richard A. Harris

The Godfather: Part II | ShotOnWhat?

Second Assistant Director

The Godfather: Part II (1974)

Directed by: Francis Ford Coppola

Cinematography by: Gordon Willis

Edited by: Barry Malkin, Richard Marks, Peter Zinner

Cameras: Mitchell BNCR Camera

Lenses: Bausch & Lomb Super Baltar Lenses, Kowa Lenses

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