Kirk Renard

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The A-Team | ShotOnWhat?

Production Assistant

The A-Team (2010)

Directed by: Joe Carnahan

Cinematography by: Mauro Fiore

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Fantastic Four: Rise of the Silver Surfer | ShotOnWhat?

Key Set Production Assistant: Second Unit

Fantastic Four: Rise of the Silver Surfer (2007)

Directed by: Tim Story

Cinematography by: Larry Blanford

Edited by: Peter S. Elliot, William Hoy

Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System, Sony Vegas Editing System

X-Men: The Last Stand | ShotOnWhat?

Key Production Assistant

X-Men: The Last Stand (2006)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Goldblatt, Mark Helfrich, Julia Wong

Final Destination 3 | ShotOnWhat?

Production Assistant

Final Destination 3 (2006)

Directed by: James Wong

Cinematography by: Robert McLachlan

Edited by: Chris G. Willingham

Two for the Money | ShotOnWhat?

Production Assistant

Two for the Money (2005)

Directed by: D.J. Caruso

Cinematography by: Conrad W. Hall

Edited by: Glen Scantlebury

Fantastic Four | ShotOnWhat?

Production Assistant

Fantastic Four (2005)

Directed by: Tim Story

Cinematography by: Oliver Wood

Edited by: William Hoy

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