Joe Barden

6 Titles

Is this you? Add a Profile

Logan | ShotOnWhat?

Construction Foreman

Logan (2017)

Directed by: James Mangold

Cinematography by: John Mathieson

Edited by: Michael McCusker, Dirk Westervelt

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera, Sony α7S II Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

The Lincoln Lawyer | ShotOnWhat?

Location Propmaker Foreman

The Lincoln Lawyer (2011)

Directed by: Brad Furman

Cinematography by: Lukas Ettlin

Edited by: Jeff McEvoy

Cameras: Red One MX Camera

Lenses: Panavision Primo Primes Spherical Lenses

How the Grinch Stole Christmas | ShotOnWhat?

Special Effects Technician

How the Grinch Stole Christmas (2000)

Directed by: Ron Howard

Cinematography by: Donald Peterman

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision SL10 10 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL35-CF 35 mm T1.8 Lens

Fear and Loathing in Las Vegas | ShotOnWhat?

Special Effects Assistant

Fear and Loathing in Las Vegas (1998)

Directed by: Terry Gilliam

Cinematography by: Nicola Pecorini

Edited by: Lesley Walker

Cameras: ARRIFLEX 35 BL4s Camera, ARRIFLEX 35 III Camera, ARRIFLEX 535 Camera

Lenses: Zeiss Standard Speed Prime Lenses

G.I. Jane | ShotOnWhat?

Special Effects

G.I. Jane (1997)

Directed by: Ridley Scott

Cinematography by: Hugh Johnson

Edited by: Pietro Scalia

Honey I Blew Up the Kid | ShotOnWhat?

Propmaker

Honey, I Blew Up the Kid (1992)

Directed by: Randal Kleiser

Cinematography by: John Hora

Edited by: Harry Hitner, Michael A. Stevenson

Cameras: Moviecam SuperAmerica Camera, VistaVision Cameras

Lenses: Canon K35 Prime Lenses

©2012 - 2024 ShotOnWhat?

20254.20