Co-producer
Girl (1998)
Directed by: Jonathan Kahn
Cinematography by: Tami Reiker
Edited by: Gillian L. Hutshing
First Assistant Director: Second Unit
Kiss the Girls (1997)
Directed by: Gary Fleder
Cinematography by: Aaron Schneider
Cameras: Panavision Panaflex Gold II Camera
Editing System: Lightworks Editing System
Associate Producer, First Assistant Director
Heaven's Prisoners (1996)
Directed by: Phil Joanou
Cinematography by: Harris Savides
Edited by: William Steinkamp
First Assistant Director: Second Unit
Under Siege 2: Dark Territory (1995)
Directed by: Geoff Murphy
Cinematography by: Robbie Greenberg
Edited by: Michael Tronick
First Assistant Director
Se7en (1995)
Directed by: David Fincher
Cinematography by: Darius Khondji
Edited by: Richard Francis-Bruce
First Assistant Director
Lethal Weapon 3 (1992)
Directed by: Richard Donner
Cinematography by: Jan de Bont
Cameras: Panavision Panaflex Platinum Camera
First Assistant Director
Hudson Hawk (1991)
Directed by: Michael Lehmann
Cinematography by: Dante Spinotti
First Assistant Director: Second Unit / Second Assistant Director
Die Hard 2 (1990)
Directed by: Renny Harlin
Cinematography by: Oliver Wood
Second Assistant Director
Lethal Weapon 2 (1989)
Directed by: Richard Donner
Cinematography by: Stephen Goldblatt
Edited by: Stuart Baird
Second Second Assistant Director
Action Jackson (1988)
Directed by: Craig R. Baxley
Cinematography by: Matthew F. Leonetti
Edited by: Mark Helfrich
Cameras: Ultracam 35 Camera
Second Second Assistant Director
Die Hard (1988)
Directed by: John McTiernan
Cinematography by: Jan de Bont
Cameras: Panavision Panaflex Gold Camera
Lenses: Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cooke Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses, Panavision Ultra Speed MKII Lenses
Unit Runner
Lethal Weapon (1987)
Directed by: Richard Donner
Cinematography by: Stephen Goldblatt
Edited by: Stuart Baird