Cécile Arthuis

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L'ex de ma vie | ShotOnWhat?

Second Assistant Camera

L'ex de ma vie (2014)

Directed by: Dorothée Sebbagh

Cinematography by: Gilles Porte

Edited by: Laurent Rouan

Cameras: Red Epic Camera

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Angenieux HR Zoom Lenses, Panavision G Series Anamorphic Lenses

The Chef's Wife | ShotOnWhat?

Second Assistant Camera

The Chef's Wife (2014)

Directed by: Anne Le Ny

Cinematography by: Jérôme Alméras

Edited by: Guerric Catala

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses

Taken 3 | ShotOnWhat?

Second Assistant Camera

Taken 3 (2014)

Directed by: Olivier Megaton

Cinematography by: Eric Kress

Edited by: Audrey Simonaud, Nicolas Trembasiewicz

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

La grande boucle | ShotOnWhat?

Second Assistant Camera

La grande boucle (2013)

Directed by: Laurent Tuel

Cinematography by: Gilles Porte

Edited by: Antoine Vareille

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

The Heir Apparent: Largo Winch | ShotOnWhat?

Additional Second Assistant Camera

The Heir Apparent: Largo Winch (2008)

Directed by: Jérôme Salle

Cinematography by: Denis Rouden

Edited by: Richard Marizy

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

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